DaRK PaRTY ReVIEW
::Literate Blather::
Friday, October 31, 2008
Halloween Terror: The Babysitter - Part 3

(Read the FIRST and SECOND parts of our 3-part serial.
Then read the horrifying conclusion in Part 3 of our Halloween Day Terror Fest.)

Alone and Afraid! Strange Noises! A Blood Stained Knife!


DaRK PaRTY
Presents


"The Babysitter"

Part 3



The world closed in on Amber. Her knees felt weak and she grabbed the banister to prevent herself from falling down the stairs. Someone was inside the house. Someone had the children.

“Amber!” a faint voice called.

She gripped the kitchen knife tighter and with a deep breath headed down the stairs. Halfway down there was a giggle. Joey? Was that little Joey? She froze.
A small figure darted across her line of vision. She caught a glimpse of blond hair and small feet in booted pajamas. More giggles.

“Joey!” she shouted.

And a moment later, the sheepish face of six-year-old Joey Curtain peeked around the entrance to the living room.

“Did we scare you?” Joey asked.

Amber’s face flustered. She wanted to grab him by the shoulders and shake him, but when the fear suddenly lifted, all she could do was grin. Grin like an idiot.
She trotted the rest of the way down the stairs, casually hiding the butcher knife behind her back.

“You’re supposed to be in bed,” she said. “Where is your sister?”

“Hiding.”

“Hiding? From what?”

“From this.”

Joey stuck a steak knife into her thigh. The blade nicked her bone and she staggered back, blood splashing on the carpet. She thought: Mr. and Mrs. Curtain are going to kill me for this mess. Joey tried to tear the knife free and she shoved him. The little boy went flying and bumped his head against the wall.

Knife protruding from her thigh, she limped across the foyer and into the hallway leading to the front door. Joey screamed behind her and she heard his padded feet coming for her. He was crazy!

The pain in her thigh was intense. Blood covered her lower leg and she left a thick trail of gore behind her. She sobbed, reaching for the door, just as Joey’s hands grabbed the back of her blouse. She swapped back and her fist caught him in the temple. He cried out and fell on his back.

The door opened and a laughing Mr. and Mrs. Curtain stepped into the house. Their cheeks were flush from alcohol and good humor. A shawl was draped across Mrs. Curtain’s shoulders.

“Thank God!” Amber shouted.

“Amber!” Mrs. Curtain cried. “Amber, what is it?”

Amber sobbed again and pointed at Joey. The little boy was seated on the floor, cross-legged, rubbing the top of his head and wailing. Snot and tears glistened on his cheeks and chin.

“What have you done?” Mrs. Curtain said, rushing to her son, kneeling down next to him.

“My God,” Mr. Curtain said, staring at the blade buried deeply in Amber’s thigh. “She’s bleeding.”

“Joanie!” Mrs. Curtain shouted. “Joanie!”

The little girl appeared down the hall. A look of terror etched on her features.

“Damn it, Joey!” Mr. Curtain screamed, pushing Amber’s groping hands away from him. “How many times do I have to tell you!” He whirled and plunged a compact hunting knife into Amber’s belly. Blood exploded onto the floor. “Always kill with the first blow!”

Then he ripped the blade upward, cleaving Amber open from belly button to rib cage. Intestines and part of Amber’s stomach tumbled to the floor with a sickening plop. Amber’s eyes widened with horror and she collapsed – dead.

“Oh, honey,” Mrs. Curtain said. “The floor! I just polished the floor yesterday!”

“Sorry, dear.” He kicked Amber with the toe of his shoe and glared at his son, who was sniffling. “Didn’t we tell you not to kill this one? Christ, in the house!”

Joey hesitated and then nodded.

“Goddamn it, Joey, now I got to dump this one, too. Didn’t we tell you we had a wait at least month or two after Marybeth Kincaid? What am I going to tell her parents. Shit!”

“Honey,” Mrs. Curtain said. “Watch you tongue around the children! We’ll sort this out in the morning. Now come on, let’s all go to bed.”

“What about this?” Mr. Curtain said, gesturing at Amber’s body.

“Oh, we’ll clean it up later.”

And then the Curtain family headed upstairs and went to bed.


THE END (or is it!)


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Halloween Terror: The Babysitter - Part 2

(Read the first part of our 3-part serial
HERE. Then plunge right in to Part 2 of our Halloween Day Terror Fest.)

A Dark House! A Killer on the Loose! A Babysitter all Alone!


DaRK PaRTY
Presents


"The Babysitter"

Part 2



“Did you see the news?” Andrew said. “The dude stabbed her like 20 times!”

“Yeah,” Amber said into her mobile phone. “The news alert scared the children to death. You should have seen little Joanie. She was inconsolable. I just got them to bed.”

“Creepy. I was just on Marybeth Kincaid’s Facebook page. She was a babysitter, you know.”

“Stop it, Andrew.”

“You sure you don’t want me to come over? I could protect you from the boogey man!”

“Ha, ha. And who is going to protect me from you?”

“Hey, I resemble that remark.”

“Listen, I’ve got to go because my battery is getting low.”

Hasta la vista, baby!”

Amber rolled her eyes as she hung up. She peeked into the children’s bedrooms. Joanie muttered in her sleep and rolled over, the blankets spilling to the floor. Amber tip-toed into the dark room and tucked her in. A damp sweat covered Joanie’s forehead. Poor thing!

In his bedroom, Joey slept soundly, snoring a little. His hands were folded across his chest. Impulsively, Amber reached out and flicked some of his blond hair off his forehead. His eyes popped open and she nearly screamed.

Joey looked up at her. “I thought you were a good babysitter.”

She smiled at him. “Go back to sleep.”

Amber tucked him in, turned out the lights, and returned to the living room downstairs. The house felt big and empty. She pulled schoolbooks out of her knapsack. If only Andrew could see her now. After an hour of studying Spanish verb tenses, she wandered into the kitchen for the bag of chips Mrs. Curtain had offered. She ate a few handfuls with the Pepsi, staring at her dark reflection in the sliding glass door that opened onto an expansive deck.

When she got back to the living room, the lights were out. Amber didn’t remember turning them off. She found the lamp and clicked it on. The room brightened. It was empty. She sat down on the couch and went to work on her Algebra II homework.

At 10:15, she heard a scrapping noise from below – then a bang. The basement. She walked to the cellar door and made sure it was locked and then pressed her ear against it. The only sound was the thump of her heart. She was being silly.

She wandered to the middle of the living room, found the remote, and turned on the TV. CNN was reporting some dire economic news, but Amber wasn’t listening. She heard another loud noise from the basement. Now she was frightened.

Rushing into the kitchen, she pulled a butcher’s knife from a wooden holder.
The knife made her feel safer and she crept toward the basement door. Unfastening the lock, she turned the handle and eased open the door. Cool, stale air washed over her. Her hands patted the wall until she found the light switch. A dim bulb revealed a steep wooden staircase that led down to a finished den.

“Hello?” she called.

Her voice echoed back. Holding the knife in front of her, Amber walked down the carpeted stairs, her mind reeling with images of “Halloween” and “Friday the 13th” movies. Wasn’t it always stupid to be checking out strange noises? Was she walking into a trap set by the killer of Marybeth Kincaid?

Her feet barely made a sound as she descended. The den was decorated with old German beer signs and rows of beer steins. It smelled of must. There was an old leather couch, a console TV, and a painted toy chest. The den was otherwise devoid of life.

Oh, brother was she being ridiculous!

Walking back up the stairs, she heard the television. The station was tuned to the Cartoon Network. Bugs Bunny skipped across the screen with a sardonic grin. The wide-eyed bunny stared out at her and growled; “What’s up, Doc?” Amber pressed the off button and the house plunged into a tomb-like silence.

“Is there someone here?” she called. “Andrew? Andrew, this isn’t funny.”

A horrible thought hit her. The children! The thought of them startled her. She had completely forgotten about them. She hurried up the stairs to Joey’s bedroom. She flicked on the light. His bed was empty.

“Oh my God!”

With her fear mounting, she darted down the hall to little Joanie’s bedroom. She was missing as well.

What the hell was going on?

She pulled her mobile phone out of her pocket and dialed her parents. But the phone was dead – the battery used up. She nearly cried out in frustration. She stood at the top of the stairs, breathless, and paralyzed by indecision.

And that’s when the voice called out to her.


Stay tuned today for Part 3 -- the Horrifying Conclusion to "The Babysitter!"

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Halloween Terror: The Babysitter - Part 1
(What's better on Halloween than a scary story? DaRK PaRTY presents our pulp horror, soon-to-be-a-classic tale of unimaginable terror. Welcome to the world of "The Babysitter!" Today we'll be running the three part serial to give you all the chills, spills, and thrills that you need to get through Halloween Day.)


Feel the Horror! Experience the Terror! Don't Leave Her Alone With the Children!


DaRK PaRTY
Presents

"The Babysitter"

Part 1



Mrs. Curtain slipped on a hoop earring. “Joanie should be in bed by 7:30 and Joey no later than 8:00.” Her heels clacked the tile floor. She paused and studied her reflection in the hallway mirror. Smiling, she gave her head a quick shake.

“We should be home before midnight.” Mr. Curtain, wearing a dark gray suit and red tie, glanced at his watch and frowned. “Honey, we’re late.”

“One moment, dear,” Mrs. Curtain said. “There’s Pepsi-Cola in the fridge and I think there’s an unopened bag of chips on top of the breadbox. Please feel free to help yourself.”

Amber nodded. She had to admit that Mrs. Curtain looked gorgeous in her red satin dress. The neckline plunged low and her breasts looked on the verge of springing free. She knew that men probably liked that and wondered if she’d ever have a body like Mrs. Curtain.

“Thank you, Mrs. Curtain,” she said. “Just have a good time and don’t worry about a thing.”

Mrs. Curtain smiled. “Isn’t she great?” she said to her husband. She turned back to the babysitter. “I know I seem like a nervous wreck, but I’m always this way with someone new.”

“Honey,” Mr. Curtain said.

“Everything will be fine,” Amber said.

“I’ve spoken to Joey,” Mrs. Curtain said. “Don’t let him hurt you. He can play rough for a six-year-old.”

Amber laughed and walked the Curtains to the door. Mrs. Curtain squeezed Amber’s arm and then the couple hurried out to their BMW. Amber watched Mr. Curtain back down the driveway, the headlights washing over the house, and then the car drove off. Amber wandered to the living room entrance. Joanie and Joey lay on the floor watching a “Dora the Explorer” video.

Amber’s mobile phone vibrated in her jeans pocket. She smirked, walked back to the hallway, and flipped open the phone.

“Are they gone?”

“Yes, Andrew, finally.”

“What are they like?”

“She’s a Barbie doll and he’s anal retentive.”

Andrew laughed. “What time will the Stepford Family be back?”

“Midnight.”

“Hootchie Mama! I’ll be over in 10 minutes.”

Amber rolled her eyes. “I’m not in the mood to have you dry hump my leg. Listen, I have to go. Okay?”

“Hey, I just called!”

“Andrew…”

“I can dry hump either leg you know… all right, all right. I’ll buzz you later.”

Amber returned to the living room. The children stared up at her. Joey licked his lips. He was a cute kid. His blond hair was nearly white and his eyes crinkled merrily when he smiled. His sister was two years younger; also a blond, but her hair darker and her body chubbier. Cute, but not quite in Joey’s league.

“So what’re you guys doing?” Amber asked.

Both children looked down at the carpet. Joanie’s face flushed. Amber knew they were nervous.

“Nothing,” Joey finally mumbled.

Amber clasped her hands. “How would you guys like some…”

They both looked up at her.

“Like some…”

Joey climbed to his feet. “Some what?”

“Yeah, what!” Joanie shouted.

“Some… POPCORN!”

They shrieked with excitement.

Later, all three of them sat on the couch munching popcorn and drinking soda. They watched TV when the children’s show they were watching was interrupted by a news flash. A somber anchorwoman stared out at them.

“This just in,” she said. “Police have found the body of a missing teenage girl at Quaker’s Quarry. According to police sources, Marybeth Kincaid, age 16, was found with multiple stab wounds in the chest and belly.”

Amber grabbed for the remote and shut off the television as the news flashed to police and emergency workers walking out of the quarry woods lugging a plastic body bag.

The room went quiet, except for the snap of the television. Joanie dropped a handful of popcorn on the couch, tears flooding her eyes, and ran out of the room with a sharp cry.

“Joanie!” Amber shouted.

“She’ll be all right,” Joey said. “She just doesn’t like all the blood.”


Read Part 2 of the Terror-Filled "The Babysitter!"


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Wednesday, October 29, 2008
Tony Hillerman and the Power of Setting

How Tony Hillerman Captured the Essence of the American Southwest



We rolled out of Farmington, New Mexico on Route 64 west toward Shiprock. I kept a close eye on the temperature gauge on the rental car. The sun – a blazing smear of yellow overhead – was torching the highway. Ripples of heat swept up off the asphalt like transparent ghosts. The air conditioner felt like the warm breath of a large mammal.

Halfway to Shiprock, we pulled over on a desolate stretch of lonely highway. I stepped out of the car and the sun bore down on me like a weight. My shoulders actually sagged and I felt my sweat turn to vapor as soon as it squeezed out of my pores. The high desert stretched out before me in all directions.

I had never seen so much sky. So much space. I was a New England native – from a region cramped with various topographies within short spans: rocky coasts, sand dunes, lakes, pine forests, swamps, mountains, rolling hills, apple orchards, valleys, and rivers. A land filled with indecision.

Not here.

Sandy, rutted mesas and plateaus seemed as expansive as the moon. There were dips and divots, rock formations, and a long, low flatness. And everything – except the blue, blue sky – was a dullish, dun color.

I stood and looked around. It was just as I imagined. It was just as Tony Hillerman had been telling me for years in his Leaphorn and Chee detective novels. I was in the Four Corners because of Hillerman. His prose – his telling, detailed descriptions of the Four Corners – had brought me here on vacation.

He made me want to see it for myself.

Tony Hillerman, the acclaimed mystery writer, died of pulmonary failure on Sunday, October 26. He was 83. There have been a lot of tributes to Hillerman lately – mostly about how his 18 novels about Navajo Police Officers Joe Leaphorn and Jim Chee broke through cultural barriers of mystery fiction. Very true.

Hillerman was a natural storyteller – and his two protagonists opened the eyes of many Americans to the rich culture and history of the Navajo people. As the Chicago Sun-Times noted:

“Each [novel] is characterized by an unadorned writing style, intricate plotting, memorable characterization and vivid descriptions of Indian rituals and of the vast plateau of the Navajo reservation in the Four Corners region of the Southwest. The most acclaimed of them, including "Talking God" and "The Coyote Waits," are subtle explorations of human nature and the conflict between cultural assimilation and the pull of the old ways.”

The New York Times wrote:

“In the world of mystery fiction, Mr. Hillerman was that rare figure: a best-selling author who was adored by fans, admired by fellow authors and respected by critics. Though the themes of his books were not overtly political, he wrote with an avowed purpose: to instill in his readers a respect for Native American culture.”


But one aspect of Hillerman’s novels that often gets overlooked was his command of setting. The Four Corners region of the American Southwest became a major character in his fiction. Many other detective writers are associated with a setting (Robert B. Parker with Boston, Michael Connolly with L.A.), but none of them captured place with the power of Hillerman.

One could argue that without setting, Hillerman’s mysteries would simply be run of the mill trade paperbacks. It was the sense of place – it was the Navajo part of America – that made his books special. You could smell the hot dust, feel the sand beneath your toes, see the rock formations on the horizon. Hillerman cared deeply about the Southwest – understood it – and really saw it. And he was talented enough to make his readers feel and see it with him.

And that’s why, almost 10 years ago now, I traveled to the Four Corners. I wanted to experience the setting of “Talking God” (1989), “Coyote Waits” (1990), and “A Thief of Time” (1988). I wanted to feel the desert.

Hillerman will be missed – and the American Southwest will never be described the same way again.


Fiction and the Catholic Church

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Fiction: Everyone is Dead

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Monday, October 27, 2008
The World's Scariest Short Story?


W.W. Jacobs' "The Monkey's Paw" Continues to Terrorize 106 Years Later


“The Monkey’s Paw” was written by a humorist who enjoyed writing about adventures on the high seas. Yet W.W. Jacobs is best remembered for giving the world one of the most terrifying short stories in literature.

The story is a chilling morality play about the dangers of tempting fate. The lesson is simple: Be careful what you wish for.

The story, written in 1902, opens on a cold, damp night in an English village on the edge of a moor. A strong wind is buffeting the house, but within the closed quarters a family of three (father, mother, and grown son) huddle near the parlor fire. Father and son play chess while the woman knits.

The father, Mr. White, is a noisy, emotional man. He is the odd man out in the family. Mrs. White is a devoted and doting mother to her son, Herbert. Mother and son have a humorous rapport and often gently tease Mr. White.

One of the most effective devices in the story is the use of the setting. The house and the outlying country become an integral part of the story, especially in setting the dark tone. Here’s how Mr. White describes his home:


“'That’s the worst of living so far out,” bawled Mr. White, with sudden and unlooked-for violence; “of all the beastly, slushy, out-of-the-way places to live in, this is the worst. Pathway’s a bog, and the road’s a torrent. I don’t know what people are thinking about. I suppose because only two houses on the road are let, they think it doesn’t matter.'”

On this bleak night, Sergeant Major Morris, a long-time family friend pays a visit. Morris, a British officer, has returned from a long engagement in India. They drink around the fire and listen to Morris tell tales about his Asian adventures.

Drunk on whiskey, Morris is goaded into telling the family the story of the monkey’s paw. He is reluctant, but his will power has been weakened by the liquor, and once he opens up the story pours out of him faster than the whiskey poured in.


“’It had a spell put on it by an old fakir,’ said the sergeant major, ‘a very holy man. He wanted to show that fate ruled people’s lives, and that those who interfered with it did so to their sorrow. He put a spell on it so that three separate men could each have three wishes from it.’

His manner was so impressive that his hearers were conscious that their light laughter jarred somewhat.

‘Well, why don’t you have three, sir?’ said Herbert White cleverly.

The soldier regarded him in the way that middle age is wont to regard presumptuous youth. ‘I have,’ he said quietly, and his blotchy face whitened.”


And then the old soldier tells them that he has no idea what the first man did with his first two wishes – but the third wish was for death. He tries to destroy the paw by tossing it into the fire, but Mr. White quickly retrieves it. Before he leaves, Morris cautions the old man to make his wishes wisely.

Before the night is out, Mr. White, on a dare from his son, wishes for 200 pounds. The paw twist grotesquely in his hand and in revulsion Mr. White tosses it aside. No one much believes anything will happen.

But the next morning, after Herbert has gone to work, a strange man appears the door with terrible news. There son has been caught in machinery at the factory and has been killed. The stranger, a mill representative, tells them they will be compensated.


Mr. White dropped his wife’s hand, and rising to his feet, gazed with a look of horror at his visitor. His dry lips shaped the words, “How much?”

“Two hundred pounds,” was the answer.

Unconscious of his wife’s shriek, the old man smiled faintly, put out his hands like a sightless man, and dropped, a senseless heap, to the floor.


The Whites fall into a state of mourning, especially Mrs. White, the devoted mother. And then one night, two weeks later, she remembers the monkey’s paw and orders her husband to wish for their son to be alive. Reluctantly, Mr. White does.

Then in the dead of night, there is a knock at the door and then a pounding. Mr. White picturing the shambling animated corpse of his son hurries to find the monkey’s paw while he wife struggles to open the locks on the front door.

Mr. White makes a last wish – the door swings wide: to an empty yard. His wife’s desperate scream pierces the night.

The lingering terror of “The Monkey’s Paw” is that we have no idea what the last wish was. Clearly, Mr. White wished for his son to be gone Link– at least that’s what it appears he wished for. But we don’t know for certain. And even more chilling – what will be the consequence of the last wish?


The Greatest Movie Serial Killers of All Time

The Sexiest Song Ever Recorded

The Full Text of "The Monkey's Paw"

See an updated version of "The Monkey's Paw" on YouTube


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Sunday, October 26, 2008
DP's Magical Mystery Tour #4

(Culling the very best from the DaRK PaRTY NeTWORK)

  • David Wellington may be one of the most prolific horror writers in the business these days (we interviewed him about horror fiction not long ago). He's fearless when it comes to using the Web as a channel for him. He's one of the few authors that you really believe doesn't care about publishing books -- he just wants to tell scary stories. How's that for refreshing? He loves serialization (hello, Dickens) and one of his most ambitious novels is called Frostbite -- a horror story about werewolves in the Arctic Circle. If you like horror -- you really can't go wrong.
  • Raych over at Books I Done Read gets a little too sexual with her copy of Nick Hornby's completely overrated "About a Boy."
  • Emma Larkins wants to be a published writer -- and she started an interested blog about the difficulty emerging writers have in, well, getting published. She has writing tips, interviews, and thoughtful analysis of the writing business through the eyes of a novice. The blog his called (drumroll please) Emerging Emma.
  • Over at Tomb It May Concern, they dug up a really cool looking house ad for Marvel Comics that features a retro Spidey, Ironman, Thor, and Human Torch (remember when Human Torch was one of the most popular Marvel superheroes? Wasn't that back in the 70s?).
  • Remember: When you need a laugh head over to Pop Sensation. It's a freakin' howl.
  • The Toasted Scrimtar wonders why there is a lack of yodelers in Fantasy Fiction? With all the damn bards and singers - you'd think there would be at least one yodeler. Alas!
  • When the Dead Walk the Earth writes about the guilty pleasure of watching cheesy horror movies in his youth -- and give a great remove of the B-movie classic "The Rats" as well.
  • Speaking of cheesy horror movies -- why haven't you entered our "easy as pie" contest to win 50 Horror Movie Classics?
  • The Sunset Gun has one of the best tributes to Paul Newman that I've read. I wanted to write a blog post about Newman -- but I just couldn't find the words. Sunset Gun didn't have that problem.
  • Lone Justice was one of our favorite bands from the 1980s -- and "Shelter" is their best song.
  • Cracked Magazine -- a staple from my childhood -- has a fantastic parody of Halloween -- with a look at Michael Myers in the deleted scenes of the classic horror movie. Laugh out loud funny.

(Would you like to be a hit at parties? Then you should be part of the DaRK PaRTY NeTWORK -- where dreams come true! If you scribble nonsense about culture, literature, books, movies, poetry, music or writing then why not exchange links with us? We don’t bite and we’re relatively clean on non-weekend days. Drop us a note at darkpartyreview(AT)gmail(DOT)com or leave us a comment.)


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Friday, October 24, 2008
The Greatest Cinematic Serial Killers of All Time



A Killer List of Popular Movie Slashers


The U.S. is obsessed with serial killers. We read about them, we develop TV shows about them. And we make movies about them. Here is our list of the greatest (most popular and well-known) cinematic slashers of all time.


Freddy Krueger

The Child Molester and Dream Demon

First Appearance: Nightmare on Elm Street (1984)

No. of Film Appearances: 8

Created By: Wes Craven

Actor: Robert Englund

Description: Freddy’s face is a mutilated, fire ravaged visage covered by smooth, bumpy scars. His teeth are rotting and jagged. He’s fond of wearing a dark fedora and a red-and-black striped shirt. He rarely goes anywhere without his clawed glove.

Backstory: Freddy’s mother was a nun who was tortured and raped by more than 100 pyschos while she was trapped in a prison for the criminally insane. His mother nearly died in childbirth and Freddy found a home with a violent alcoholic who abused him both physically and mentally. Freddy later murdered his adoptive father. Freddy grew up, got married, and fathered a daughter. He worked at a power plant and developed a fondness for kidnapping and murdering children. The police called him the Springwood Slasher. After Freddy was captured, law enforcement bungling forced them to release him. The parents of Freddy’s victims hunted him down and burned him to death. But before death took him, Freddy was approached by three evil dream demons who gave him the power to turn dreams into reality. Now Freddy returns to hunt victims in the night.

Method of Murder: Freddy wears a metallic glove with razor sharp claws at the end. He likes to torture his teenage victims, by manipulating their dreams. He generally kills them while they sleep – the wounds materializing in real-life after he slays them in slumber land.

Killer Quote: One, two, Freddy's coming for you/ Three, four, better lock your door/ Five, six, grab your crucifix/ Seven, eight, gonna stay up late/ Nine, ten, never sleep again.”

Random Pop Reference: Freddy has appeared in three episodes of “The Simpsons” Halloween specials.

Honors: AFI ranked Freddy number 40 on its list of greatest Heroes and Villains list.


Jason Voorhees

The Hockey Mask and Machette-welding Mass Murderer

First Appearance: Friday the 13th (1980)

No. of Film Appearances: 12

Created By: Victor Miller, Ron Kurtz, Sean S. Cunningham, Tom Savini

Actors: Many actors have portrayed Jason including Ari Lehman, Warrington Gillette, Steve Daskewisz, Richard Booker, Ted White, Tom Morga, C.J. Graham, Dan Bradley, Kane Hodder, and Ken Kirzinger

Description: A gigantic, mammoth man with a distorted, ugly face usually clad tattered dark clothes. Jason rarely speaks. He wears an old 1950s style Detroit Red Wings goalie mask and carries a machete.

Backstory: Jason was not the primary killer in the first “Friday the 13th” movie – his mother was. Jason was the motivation behind her murders – because he died from a drowning while camp counselors at Camp Crystal Lake fooled around. Jason – the mass murdering adult – didn’t come until the 1981 sequel. Not much is known about Jason. He was a mentally challenged child who grew up with an abusive mother. Creators re-engineered his drowning so that he didn’t die, just washed up on shore and lived in the forest. It is speculated that he continues to kill to please his dead mother. His creators have called him a “psycho-savant” with a high tolerance for pain.

Method of Murder: Jason is quite fond of using sharp object to poke, dismember, and slaughter his victims. That’s why he really enjoys using his rusty, blood-splattered machete.

Killer Quote: “He (Jason) doesn't have any personality. He's like a great white shark. You can't really defeat him. All you can hope for is to survive.”

Random Pop Reference: Jason has become a cultural icon – from comic books to parodies to appearances in pop songs. Musicians from Alice Cooper to Tupac Shakur have sang about him.

Honors: Jason received a lifetime achievement award from MTV in 1992 – one of only three fictional characters to ever get the award.


Michael Myers

The Supernatural Babysitter Butcher of Illinois

First Appearance: Halloween (1978)

No. of Film Appearances: 9

Created By: John Carpenter and Debra Hill

Actors: Many actors have played Michael including Nick Castle, Tony Moran, Will Sandin, Dick Warlock, George P. Wilbur, Don Shanks, Chris Durand, Brad Loree, Tyler Mane, and Daeg Faerch

Description: A hulking man in soiled gray overalls wearing a rubber William Shatner mask backwards and often carrying a butcher knife. He is obsessed with teenage girls and often follows them around before murdering them and their friends.

Backstory: The character, according to creator John Carpenter, was based on Yul Brenner’s killer robot in the film “Westword.” At six years old, Michael murders his sister with a butcher knife on Halloween night. The boy was sent to a hospital for the criminally insane. He escapes as an adult and returns to his hometown of Haddonfield, Illinois to continue murdering teenagers. It is likely that Michael is supernatural or possessed by some supernatural evil spirit – because he cannot be killed (by bullets, knifes, etc.).

Method of Murder: Michael enjoys killing with knives – but he’s very resourceful when he needs to be.

Killer Quote: “(I wanted to) raise this Michael Myers character up to a mythic status; make him human, yes, but almost like a force. A force that will never stop, that can't be denied."

Random Pop Reference: Michael made his debut in video games in a 1983 Halloween game released by Atari. He’s been the subject of novels, comic books, toys, dolls, etc. Another icon of the horror movie slasher genre.

Honors: The Halloween series has grossed more than $328 million worldwide.


Leatherface

Got Chainsaw?

First Appearance: The Texas Chainsaw Massacre (1974)

No. of Film Appearances: 6

Created By: Tobe Hooper

Actors: Leatherface has been portrayed by actors Gunnar Hansen, Bill Johnson, R.A. Mihailoff, Robert Jacks, and Andrew Bryniarski

Description: A big, chubby man who is mentally retarded. He wears old clothes and likes to stalk around wearing the peeled off facial skin of his victims. He enjoys lugging around a gas-powered chainsaw.

Backstory: Leatherface’s real name is Bubba Sawyer. He is one of four brothers who live with their grandparents and great-grandmother in an old house in Texas. The family members are cannibals – and Leatherface the primary cook. In the new series of movies, Leatherface’s real name is Thomas Brown Hewitt. His mother dies in childbirth and he is tossed in a Dumpster where a woman finds him and takes him home. The creators noted he’s treated more like a pet than a son.

Method of Murder: Leatherface uses a chainsaw to dismember his victims and then carves up the meat for storage in a meat locker – so his family can dine on the remains later. He’s also been known to use a sledgehammer.

Killer Quote: “Leatherface is completely under the control of his family. He'll do whatever they tell him to do. He's a little bit afraid of them.”

Random Pop Reference: Leatherface has been the main character is a series by Wildstorm Comics.


Hannibal Lecter

Psychiatrist and Cannibalistic Serial Murderer

First Appearance: Manhunter (1986)

No. of Film Appearances: 5

Created By: Thomas Harris

Actors: Brian Cox, Anthony Hopkins, Gaspard Ulliel and Aaran Thomas

Description: A short, thin man with great physical strength for his size. He has a sixth digit on his left hand (two middle fingers). He had wispy black hair which he slicks back over his head and small than average teeth. He also has a calm, creepy demeanor and an uncomfortable stare. He’s extremely sophisticated and quite an elegant talker.

Backstory: Lecter is the son of Lithuanian aristocrats and is orphaned with his sister during World War II. The siblings are captured by Nazis – who murder his sister and eat her – in front of him. Later escaping, Lecter is raised in an orphanage until adopted by his uncle. He has an affair with his uncle’s wife after his death. His obsession with catching his sister’s killers overcomes him and hunts down, kills, and eats each of them. He is a brilliant man and graduated from the John Hopkins Medical Center to become a world renowned psychiatrist. He continues to kill – mostly patients and those connected to his patients until he is arrested by the FBI and imprisoned.

Method of Murder: He murders in various methods, but usually eats his victims by cooking them up gourmet style.

Killer Quote: “(Lecter) is standing at rest - like a savage animal confident of the brutality coiled up inside him. His speaking voice has the precision of a man so arrogant he can barely be bothered to address the sloppy intelligence of the ordinary person.”

Random Pop Reference: Lecter has been parodied on “South Park” and in the movie “Jay and Silent Bob Strike Back.”

Honors: “Silence of the Lambs” won the Oscar for best movie in 1991.


Jigsaw

Want to Play a Game?

First Appearance: Saw (2004)

No. of Film Appearances: 5

Created By: James Wan and Leigh Whannell

Actor: Tobin Bell

Description: A balding middle aged man with a hang-dog, expressionless face. He is paunchy and average sized, but very cunning, patient, and willing to do what it takes to succeed.

Backstory: Jigsaw is Jonathan Kramer, a civil engineer who is dying from an inoperable frontal lobe tumor as a result of colon cancer. He is divorced from his wife, a drug counselor, after their unborn child dies in an attack by one of his wife’s patients. The event makes Jigsaw angry and detached. Once he learns of his cancer, Jigsaw devises intricate traps and places flawed people into them in order for them to see the error of their ways. Those who survive, Jigsaw believes, will be better people. Oddly, Jigsaw doesn’t see himself as a murderer, but someone who helps people. He wants his surviving victims to appreciate their lives.

Method of Murder: Jigsaw sets up deadly traps to see how far his victims will go in saving their own lives. If they die he cuts a jigsaw puzzle shaped section of their flesh – as a symbol that they where missing a part of themselves needed to survive the traps.

Killer Quote: "He's not Jason or Freddy. He's not even Hannibal Lecter. He's a person with extreme beliefs and he really thinks he's making a difference. He's a vigilante if anything. He thinks he's making a difference."

Random Pop Reference: Jigsaw action figures are now available.

Honors: The Saw movie series has earned more than $555 million worldwide.


Patrick Bateman

The Boy Next Door

First Appearance: American Pyscho (2000)

No. of Film Appearances: 3

Created By: Bret Easton Ellis

Actors: Christian Bale, Dechen Thurman, and Michael Krembo

Description: A sophisticated, well-educated young investment banker. He’s handsome, but intense and very competitive. He’s fond of wearing expensive designer clothing – especially suits. He is arrogant and seems full of self loathing.

Backstory: Bateman is the oldest son of wealthy Long Island parents. His parents are divorced and his mother lives in a sanatorium. Bateman attended Phillips Exeter Academy, Harvard University, and Harvard Business School. He lives in Manhattan on the Upper Wide Side and works in investment banking. He’s the ultimate yuppie, except that Bateman leads a double life and enjoys murdering people in a variety of ways – including torture and cannibalism.

Method of Murder: Various – but he likes to torture or have sexual liaisons with his victims before killing them.

Killer Quote: "I like to dissect girls; do you know I'm utterly insane?"

Random Pop Reference: In the Showtime serial killer series “Dexter,” the main character uses Patrick Bateman as an alias.

Honors: “American Psycho” has become a cult hit.


Chucky

This Doll is Your Worst Nightmare

First Appearance: Child’s Play (1988)

No. of Film Appearances: 5


Created By: Don Mancini, John Lafia, and Tom Holland

Actor: Voiced by Brad Dourif

Description: A two-foot tall plastic “Good Guy” doll. The doll has red hair and big, blue eyes and wears cute overalls.

Backstory: A serial killer called the Lakeshore Strangler is shot by police. The mortally wounded killer, Charles Lee Ray, breaks into a toy store and falls on top of pile of “Good Guy” dolls. Just before he dies, he chants a voodoo spell to place his soul into one of the dolls. The toy store burns to the ground, but the doll lives.

Method of Murder: Chucky kills with various methods, but generally like to use hammers, knives, and hatchets to do away with his victims.

Killer Quote: “This is certainly not "Pinocchio" or "Babes in Toyland," and it may not do much for the sale of large boy dolls between now and Christmas.”

Random Pop Reference: Chucky was parodied on “Robot Chicken,” and voiced by Mark Hamill.

Honors: The Child Play series has gross more than $175 million worldwide.


7 Obscure Serial Killer Flicks Worth a Look

Halloween: 30 Years Later

10 Bizarre Serial Killers in History

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Thursday, October 23, 2008
5 Questions About: Ed Gorman

An Interview with Prolific Crime and Western Novelist Ed Gorman


(If you’re a fan of crime fiction and haven’t read Ed Gorman – well shame on you. Ed has been penning some incredible fiction (crime noir, mysteries, and westerns) since the early 1980s – when skinny ties and parachute pants were in style (although we have a difficult time picturing Ed wearing either). His book “The Poker Club” (1990) has been made into a film – which should hit theaters in 2009. Ed, a former advertising executive, has written more than 40 books and writes a prolific blog on pulp fiction that is a must-read. Ed was kind enough to stop writing about murders, shoot-outs, and dead bodies in order to answer some questions for us.)


DaRK PaRTY: What have been the biggest changes in crime fiction since you first started publishing in the 1980s?

Ed: I'm no expert but I'd say that the Eighties and Nineties saw the long overdue recognition of female writers in all sub-genres from the private-eye as with Muller, Grafton, Paretsky and the more serious kind of cozy-traditional with Nancy Pickard and Carolyn Hart
.

In this new century noir and hard-boiled, by men and women alike, have found new popularity and new respectability. This is seen across the board in popular culture.

To me this is the true Golden Age of crime fiction. There are so many good writers-and more coming along every week-that it is impossible to keep up. And that's a nice problem to have.

DP: What are the elements of a good crime story that most novice writers get wrong?

Ed: I'm not smart enough to answer that. What I look for in a good story of any kind is intelligent entertainment, as the late science fiction writer Algis Budrys used to say. To me this means a strong storyline and characters, whether they're good or bad, I can believe in. Style and theme matter of course, too, but if I don't buy the story or the characters I probably won't finish the book.

DP: You have featured many series characters in your fiction-- fro
m Jack Dwyer to Robert Payne. Which one of your characters do you like the best and why? Which one did you struggle with the most?

Ed: My most difficult series character was my latest one, Dev Conrad, the political operative. I wrote several chapters before he sounded right to me. Then I pitched them and started over. To make “Sleeping Dogs” work he had to be cynical without being nihilistic. The corrupt political system is the only one we've got and it's unlikely it's going to change. So Dev has to be able to see the slime for what it is but work for his ideals anyway. I'm not much for protagonists who don't look at life realistically--or, on the other extreme, nihilism can get really boring. Even the darkest of writers such as the brilliant Derek Raymond forego absolute nihilism most of the time.

DP: What crime writers have been your biggest influences and why?

Ed: So many writers I couldn't possibly list them. I do tend to absorb the styles of other people but somehow most of the time my stories come out pretty much me. Probably my biggest single i
nfluence, and oddly enough more in his non-87th novels, is Evan Hunter-Ed McBain.

DP: What Ed Gorman novel would you recommend to a reader who has never read you before? And why would you recommend it?

Ed: I'd say “Blood Moon.” It's one of my more ambitious books. John D. MacDonald used to rank his books by per-centages-a novel of his was 80 percent successful or sixty per cent successful. That was the measure he used to see how close it came to doing what he'd set out to accomplish. “Blood Moon” is one of those books that almost never makes me wince when I thumb through it, which I had to do when it was optioned for a movie a few years back. There are some of my books of course that make me wish one of those alien spaceships would sweep down and take me to a galaxy far, far away.


An Interview with Crime Writer Ken Bruen

An Interview with "The Good Thief" Author Hannah Tinti

10 Things John Wayne Would Never Do


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Tuesday, October 21, 2008
Halloween Contest Winners!

Did You Win the DaRK PaRTY Halloween Horror Movie Giveaway?

Thanks to everyone who entered. These three winners will soon be receiving the 12 DVD set “Horror Classics” featuring 50 of the best classic horror movies of all time:


  • Lee Windener of Portland, OR -- favorite horror flick: "Bride of Frankenstein"
  • Keith Rawsom of Gilbert, AZ -- favorite horror flick: "Texas Chainsaw Massacre"
  • Tim Ahern of Winslow, ME -- favorite horror flick: "Saw"


Stay tuned to more contests and giveaways at your favorite place for literate blather the DaRK PaRTY ReVIEW

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Monday, October 20, 2008
Apocalypse Now: End of the World Movies


10 Movies About the Apocalypse


“There is a rumor that they are evacuating Moscow. There are people even leaving Kansas City because of the missile base. Now I ask you: To where does one go from Kansas City? The Yukon? Tahiti? We are not talking about Hiroshima anymore. Hiroshima was... was peanuts!”

That’s a quote from the doomsday movie “The Day After,” which aired on ABC-TV in 1983 and scared the shit out of, well, everybody. ABC set up 1-800 hotlines the day of the broadcast so distressed viewers could talk to a counselor.

Maybe CNN should consider the same tactics for its coverage of the financial meltdown.

As we prepared for the end of the world as we know it, DaRK PaRTY gives you our favorite post-apocalyptic movies:


12 Monkeys

Year: 1995

Director: Terry Gilliam

Starring: Bruce Willis, Madeleine Stowe, Brad Pitt, Jon Seda

Plot in a Nutshell: A convict from the future is sent back in time to try and gather information about a plague that has killed off most of the human race. He’s sent to a mental institution after he discovers that he’s been sent too far back. He discovers a group of radicals called “12 Monkeys” who are responsible and tries to stop them.

Best Quote: “You are a total nutcase, completely deranged, delusional, paranoid. Your thought process is all fucked up. Your information train is jammed, man!”

How the World Ends: A lethal virus spreads across the planet and kills five billion people. The survivors are forced to live underground.

Best Part of the Movie: The performance of Brad Pitt as Jeffry Goines, the deranged, machine-gun talking radical (see video below).

Cool Factoid: Terry Gilliam wanted Jeff Bridges for the lead, but the studio made him get a bigger star. He chose Willis because he thought he showed a sensitive side in the movie “Die Hard.”


Planet of the Apes

Year: 1968

Director: Franklin J. Schaffner

Starring: Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans

Plot in a Nutshell: An astronaut crash lands on a planet where the humans are dumb beasts and ape and gorillas have evolved into the dominate species. The astronaut tries to escape the planet, but learns he is really Earth in the distant future.

Best Quote: “It's a mad house. A mad house.”

How the World Ends: Human beings blew up the world with nuclear weapons.

Best Part of the Movie: Charlton Heston’s over-the-top performance as George Taylor. It’s classic Heston.

Cool Factoid: The movie was an adaptation of a novel by Pierre Boulle. In the novel, the apes are advanced and live in cities and have modern machines of the 20th century. But the movie made the apes less advanced because of budget reasons.


Strange Days

Year: 1995

Director: Kathryn Bigelow

Starring: Ralph Fiennes, Angela Bassett, Juliette Lewis, Tom Sizemore, Vincent D’Onofrio

Plot in a Nutshell: An ex-cop sells dreams to people on disc – taken straight from the cerebral cortex. One day, he discovers a disc from a murderer who killed a prostitute and begins an investigation that goes very wrong.

Best Quote: “Look everyone needs to take a walk to the dark end of the street sometimes, it's what we are.”

How the World Ends: The world hasn’t ended per se, but its spiraled into chaos with gangs ruling the streets and the rich are protected with bodyguards from the population – who likes to jack in and get high off of other people’s experiences.

Best Part of the Movie: The music

Cool Factoid: The movie is named after the Doors album of the same name and a cover version of the song opens the film.


Waterworld

Year: 1995

Director: Kevin Reynolds

Starring: Kevin Costner, Jeanne Tripplehorn, Jack Black, Dennis Hopper

Plot in a Nutshell: A drifter gets involved with a woman and her child and protects them from a gang of criminals.

Best Quote: “Dry land is not just our destination, it is our destiny!”

How the World Ends: The polar ice caps have melted and the world is completely flooded by ocean water. People live on boats and rafts and in floating villages.

Best Part of the Movie: Kevin Costner’s understated performance as the Mariner. This movie is unfairly maligned and, other than the terrible acting job by Dennis Hopper, is an above average sci-fi flick.

Cool Factoid: The ship that Dennis Hopper and the bad guys live on is the Exxox Valdez, the oil tankers than spilled millions of gallons of crude oil off the coast of Alaska.


Mad Max Beyond Thunderdome

Year: 1985

Director: George Miller and George Ogilvie

Starring: Mel Gibson, Tina Turner, Bruce Spence

Plot in a Nutshell: With all of his possessions stolen, Mad Max ends up in Bartertown, a village on the outskirts of a desert. He gets involved in a power struggle in the city before helping a group of lost children who were the survivors of a plane crash.

Best Quote: “Two men enter, one man leave!”

How the World Ends: Nuclear war

Best Part of the Movie: Tina Turner’s amazing performance as Auntie Entity – the leader of Bartertown and the battle between Blaster and Max (see video above).

Cool Factoid: When Max is introduced to the crowd when he’s going to fight Master Blaster in Thunderdome, Dr. Dealgood calls him “The Man with No Name” – a reference to the Clint Eastwood characters in Sergio Leone’s spaghetti westerns.


I am Legend

Year: 2007

Director: Francis Lawrence

Starring: Will Smith, Alice Braga, Willow Smith, James Michael McCauley

Plot in a Nutshell: The lone survivor of a world epidemic tries to live his life in a deserted city – but he is hounded by the dead victims of the plague who have been transformed into vampires.

Best Quote: “I can help. I can save you. I can save everybody.”

How the World Ends: A cancer prevention drug has deadly side effects and turns people into blood-sucking vampires. The epidemic spreads and kills nearly everyone on earth.

Best Part of the Movie: The setting in a deserted New York, crumbling under the weight of Nature returning. The scene were Will Smith hunts a herd of deer is special effects at its best.

Cool Factoid: The artwork in Will Smith’s residence belong to the Museum of Modern Art in New York.


Children of Men

Year: 2006

Director: Alfonso Cuaron

Starring: Clive Owen, Michael Caine, Julianne Moore, Charlie Hunnam, Michael Klesic

Plot in a Nutshell: An ex-bureaucrat living in 2027 helps a group of radicals who have discovered the earth’s first pregnant woman in the last 18 years. They try and get her to safety through a war-torn London on the brink of civil collapse.

Best Quote: “Everything is a mythical, cosmic battle between faith and chance.”

How the World Ends: When women can no longer get pregnant and the human race comes face-to-face with the reality of its own extinction – war, crime and revolt flourish.

Best Part of the Movie: The battle scene at the end of the movie is masterfully done. And, of course, Clive Owen’s performance rocks per usual.

Cool Factoid: Michael Caine said that he based his performance of the hippie political cartoonist on John Lennon.


28 Days Later

Year: 2002

Director: Danny Boyle

Starring: Brendan Gleeson, Noah Huntley, Cillian Murphy, Naomie Harris

Plot in a Nutshell: A plague called Rage rips through the world and turns people in flesh-eating zombies. A handful of people try to survive in the new world.

Best Quote: “Well, I think Bill's got a point. If you look at the whole life of the planet, we... you know, man, has only been around for a few blinks of an eye. So if the infection wipes us all out, that is a return to normality.”

How the World Ends: Zombies, baby, zombies

Best Part of the Movie: The movie is filled with great scenes, but the best one may be when Jim wakes up from a coma in a hospital and finds the hospital and London completely deserted of human life.

Cool Factoid: Stephen King was so excited about the movie that he bought an entire showing of the film in New York City.


Dawn of the Dead

Year: 1978

Director: George A. Romero

Starring: David Emge, Ken Foree, Scott Reiniger, Gaylen Ross

Plot in a Nutshell: A group of survivors from a zombie plague end up at a mall. They turn the mall into a paradise, but the zombies manage to break in and all hell breaks loose.

Best Quote: “This isn't the Republicans versus the Democrats, where we're in a hole economically or... or we're in another war. This is more crucial than that. This is down to the line, folks, this is down to the line. There can be no more divisions among the living!”

How the World Ends: The dead have come to life to feed on the living.

Best Part of the Movie: When the motorcycle gang breaks into the mall and starts to kill the zombies.

Cool Factoid: Many of the actors playing zombies were actual amputees


Terminator II – Judgment Day

Year: 1991

Director: James Cameron

Starring: Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick

Plot in a Nutshell: In a future, machines have taken over. They send a cyborg back in time to kill the leader of the human resistance, but the resistance sends back its own reprogrammed cyborg to protect the leader.

Best Quote: “Three billion human lives ended on August 29th, 1997. The survivors of the nuclear fire called the war Judgment Day. They lived only to face a new nightmare: the war against the machines.”

How the World Ends: Nuclear holocaust

Best Part of the Movie: Arnold reprising the role that made him famous.

Cool Factoid: The Terminator line: “I need a vacation” is a line from Arnold’s movie “Kindergarten Cop” and was ad-libbed by the Governor.




Fantastically Bad Cinema: From Dusk Till Dawn

7 Obscure Serial Killer Movies Worth a Watch

Ode to Fight Club

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Thursday, October 16, 2008
Thor: Home Improvement Columnist

The God of Thunder Answers Readers Questions About Interior and Exterior Design


Dear Thor:

I just bought a new house that needs a lot of work. The previous owners were elderly and didn’t do any real improvements since the late 1960s. It all seems so daunting to get everything up to date. Where do I start?

Sincerely,

Desperate in New Jersey


DEAR DESPERATE:

I AM THOR THE GOD OF THUNDER, THE ANCIENT IMMORTAL OF STORMS, AND THE DESTROYER OF FROST GIANTS. WHEN I FIRST BUILT MY MAGNIFICIENT STRONGHOLD IN ASGARD, I, TOO, FACED THIS QUESTION. THOR RECOMMENDS FIVE SIMPLE STEPS:

FIRST, GET THEE INSPIRATION FROM READING PARCHMENTS AND TOMES – USE THESE RESOURCES TO FIND YOUR OWN PERSONAL STYLE. SECOND, CONSIDER THE FUNCTIONAL USE OF EACH ROOM (MY TORTURE CHAMBER, FOR EXAMPLE, SHOULD NOT BE USED FOR LOUNGING ABOUT IN MY PJs). THIRD, DETERMINE WHAT FURNISHINGS AND ACCESSORIES THAT YE ALREADY OWN. FOURTH, PUT A PLAN INTO PLACE FOR EACH CHAMBER. AND, FINALLY, FIFTH, SET A STRICT BUDGET. NO NEED TO BREAK ODIN’S TREASURY IF YE DON’T HAVE TO!

SINCERELY,

THOR


Dear Thor:

The detached garage in my backyard was built in the 1930s. It’s too small for my SUV so I’ve been using it primarily as a shed. However, the years have not been kind and the foundation is unsound. The garage is pitching to the left and on the verge of collapse. Here’s my question: should I spend the money to fix it or knock it down and buy a real shed?

Regards,

Shed It Stay


DEAR SHED IT STAY:

LET THE RAGE RISE UP WITHIN THEE MORTAL AND FEEL THE FURY OF THE ELEMENTS SURGE THROUGH YE. THEN PICK UP A WAR HAMMER LIKE MJOLNIR AND DESTROY THAT GARAGE LIKE YOU WERE LOPING OFF THE HEAD OF THE TRICKSTER LOKI. CALL DOWN THE THUNDER AND LIGHTNING AND WATCH THE GARAGE BURN AND THEN LAUGH TO THE HEAVENS AND FEEL THE RAIN CASCADE OFF YOUR FACE LIKE THE BLOOD OF THE FALLEN. THEN HEAD TO HOME DEPOT AND BUY A NEW SHED. GREAT DEALS AT THE DEPOT!

SINCERELY,

THOR


Dear Thor:

My husband and I bought a cottage on the shore of a lake in New Hampshire. I would like to build a fireplace – because I think it would help reduce heating costs and, well, its romantic. My husband, Mr. Practical, wants to install an oil burner and a furnace. What would you recommend?

Best,

Mrs. Practical


DEAR MRS. PRACTICAL:

FIRES TRIGGER THE SAVAGE WITHIN US ALL. THE HEAT OF PASSION CAN MIX WITH THE HEAT OF THE FLAMES AND GIVE THE GOD OF THUNDER THEE DESIRE TO PILLAGE NORWEGIAN VILLAGES, TEAR OUT THE THROATS OF ENEMIES, AND THEN RAPE THE BLOND DAUGHTERS OF MY BEHEADED OPPONENTS – WHOSE SEVERED HEADS ADORN THE SPEARS OF MY FOLLOWERS. FIRE GOOD, BY ODIN! SO TELL YOUR WEAK-WILLED HUSBAND TO EMBRACE HIS INNER VIKING AND BUILD A STONE TEMPLE TO WORSHIP THE FIRES OF RAGE!

SINCERELY,

THOR


Dear Thor:

I’m torn about what color to paint my recently updated dining room. Part of me wants to paint it a reddish orange to give it an intimate, autumn appeal, but another part of my thinks a nice, light shade of green would give the room an airy, lighter feel. Thoughts?

Best Regards,

Paint It ?


DEAR PAINT IT ?:

MANY MOONS AGO, THOR WAS FORCED TO DRESS AS A WOMAN TO TRICK PRYMR, KING OF THE GIANTS, THAT I WAS TO BE HIS BRIDE SO I COULD RETRIEVE MY STOLEN WAR HAMMER. WE FEASTED IN HIS DINING CHAMBER FOR EIGHT LONG, UNCOMFORTABLE DAYS. WHEN MJOLNIR WAS FINALLY BROUGHT TO ME, I SHED MY DISGUISE AND BASHED THE SKULLS OF THE GIANTS TO PIECES AS THEIR BLOOD SPLATTERED ON THE WALLS (MIXED WITH PIECES OF BRAIN AND BONE FRAGMENTS). IT WAS AN ORGY OF DESTRUCTION THAT LEFT PRYMR’S DINING CHAMBER A LOVELY SHADE OF CRIMSON. RED IS THE WAY TO GO.

SINCERELY,

THOR


(Thor’s advice is his own and doesn’t necessary reflect the editorial views of DaRK PaRTY. To ask Thor a question or send him a comment kidnap the blond daughters of a Danish warlord and sacrifice them on the altar of the Gods while facing north and chanting out the inquiry in ancient Norse. Thor promises he will try to answer each inquiry, but please be patient.)


Thor: Sex Advice Columnist

Elegant Violence: Movie Scene That Feature the Poetry of Action

Remarkable Literary Characters

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Tuesday, October 14, 2008
5 Questions About: Media and Politics

An Interview with Media Observer and Journalist Dan Kennedy



(Dan Kennedy, an assistant professor at Northeastern University School of Journalism, publishes a blog called Media Nation. It analyzes media coverage – especially around political coverage. He’s got the eye of a journalist, probably because he does that, too. He writes a column for the Guardian (U.K.) and articles for CommonWealth Magazine and the Boston Phoenix (where for many years he was media columnist). He is also a regular on Boston area radio and WGBH-TV’s “Beat the Press.” DaRK PaRTY wanted Dan’s insight on the presidential race, how it was being covered by the mainstream press, and any wry observations he was willing to make about the Obama and McCain campaign machines. We struck gold!)


DaRK PaRTY: What is your assessment of the overall media coverage during this year's presidential race?

Dan: I’m willing to admit I'm an elitist, and I spend most of my time with elite media such as the New York Times and NPR. I think they've done a reasonably sophisticated job, although they're too timid to take on the broader narrative.

I would describe that broader narrative as the descent of our politics into a sort of insanity during the Bush years with regard to the White House's hyper-aggressive approach to foreign policy, the embrace of torture, domestic spying, radical capitalism (helping to foment the current meltdown), and an anti-scientific orientation informed by the most primitive forms of religious belief.

The general-election campaign has been defined by the decision of John McCain, a modern and worldly man, to embrace this insanity just as it is beginning (I hope) to pass from the scene.

DP: The Republicans have been crying foul over the media's treatment of Sarah Palin. What's your take?

Dan: The media have been far too kind to Sarah Palin, who is an exemplar of the most dangerous strands in our politics, as I explained in my earlier answer. We have all seen the video of her urging church-goers literally to pray that God will facilitate the construction of a natural-gas pipeline in Alaska. For that reason alone, I would not vote for her. And I'm not even getting into whether she agrees with the pastor of her former church, who said -- while she stood nearby, listening and applauding -- that Alaska holds a special place in God's plans for the post-Apocalyptic world. Scary stuff.

But there are many more reasons to be appalled by Palin, such as her lies about Troopergate, her non-existent opposition to the "Bridge to Nowhere," and her family's involvement in the radical, anti-American Alaskan Independence Party; her narrow-minded, vindictive approach to governing, documented by the Times, The New Republic, and numerous other news outlets; and her hate-filled, false rants against Barack Obama, which have had the effect of stirring up something close to mob hysteria. All these things mark her as someone who is profoundly unqualified to serve in any elected office, including the mayoralty of Wasilla, Alaska.

DP: If John McCain loses the election in November -- how much of it is because he picked Palin? What's been her effect on the McCain campaign?

Dan: My suspicion, though I can't prove this, is that Palin has hurt McCain more because of the opportunity cost involved in choosing her rather than in any specific thing she has said or done.

Imagine, if you will, the difference if McCain had chosen Mitt Romney as his running mate just before the financial meltdown began. Romney would be front and center, utterly credible and believable because of his successful business background.

It must be killing McCain that he has to hide his running mate from public scrutiny when he could have had one who would shore him up in an area where he is perceived as weak.

DP: Does Obama get better treatment in the press or is this another myth of the "liberal" media?

Dan: The answer to that is very complicated. The media have been notably tough on McCain for the miserable, negative campaign he's run; yet I still don't think they've quite gotten at how bad it's actually been. The media also have a longstanding love affair with McCain, and I think we've only seen that partially diminished this year.

Are the media in love with Obama? I don't know. During the primaries, I think he may have benefited from the media's well-established loathing for the Clintons, and there's no question that some in the media have swooned over the notion of a charismatic African-American presidential candidate.

We know from studies over the years that most elite political journalists are liberals. But the way those liberal journalists make their bones is by kicking the hell out of liberal politicians -- just ask Al Gore and John Kerry. That dynamic may be less at play this time because of disgust over the Bush years and the promise of something new represented by Obama.

DP: What is your assessment of the strengths and weaknesses of the two campaigns?

Dan: That's a difficult question, isn't it? Obama has run a remarkably competent and disciplined campaign. Just a few weeks ago I thought he might deserve criticism for not fighting back as hard as he should. But by maintaining an even keel, he's put himself in a commanding position in the polls with just a few weeks to go. I don't think McCain is out of it by any stretch of the imagination, but right now it appears that Obama is winning by a lot. He is also principled, intelligent, and, despite his lack of experience, dauntingly well-informed on a vast array of national and international issues.

Obama's life experience, which is so unusual and interesting, does lead him to come off as somewhat distanced from others, which has caused some backlash against him. Then again, Republicans always enjoy some success casting the Democratic candidate as "elitist" and "aloof," so I don't want to get carried away with that.

McCain's great strengths are his moral courage, as exemplified by his POW experience, and his willingness to stand up to his own party on such issues as torture, immigration, judicial appointments, and campaign-finance reform.

By turning himself into a conventional Republican, and by choosing Palin as a sop to the right-wing base, McCain managed to fritter away most of those strengths. He has come off as erratic (to use Obama's word) and angry. That should be deadly on Election Day, but I'm not going to make any predictions here. OK, I'll make one: Despite what the polls say today, the final result will be close.


An Interview with Dan Kennedy about his book on Dwarfism

Under God's Right Arm: Jesus Would Vote for Sarah Palin

Blame the #$@% Media!

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Monday, October 13, 2008
12 Terrible Tunes


Radio on. Car sailing along the pavement. The music blows through the windows like the summer wind.

And then one of those songs comes on.

Buzz kill music. The mood implodes and you nearly drive off the road trying to turn off the damn radio. You are experiencing a terrible rock song. A song that makes you cringe.

These tunes are difficult to identify, but everyone has them. They are usually bygone hits – so they continue to get radio airplay. They even have die-hard fans (who clearly have some rare form of brain damage).

DaRK PaRTY has identified 12 of these nasty numbers. Here are the some of the songs that have us trembling in disgust.


“Ebony & Ivory” – Paul McCarthy and Stevie Wonder

Could there be a more talented duo than McCarthy and Wonder? Could there be a song so lacking in subtleties that is like a frying pan to the side of the face? Is the song about piano keys or about race relations? Well, gee, maybe both! The song reached number one in both the UK and United States in 1982.

Lyric Sample: “Ebony and ivory live together in perfect harmony/ Side by side on my piano keyboard, Oh Lord, why don’t we?”


“Hangin’ Tough” – New Kids on the Block

It’s easy to pick on boy bands when they record songs like 1989’s “Hangin’ Tough.” Drum machines and electronic keyboards have never sounded so tinny. It’s also amusing to listen to fashionable young punks who don’t shave yet try to sound tough.

Lyric Sample: “We ain’t gonna give anybody any slack/ And if you try to keep us down were gonna come right back/ And you know were/ Hangin’ tough, hangin’ tough, hangin’ tough/ Are you tough enough?”


“Rhinestone Cowboy” – Glen Campbell

There’s a lesson for all of us in “Rhinestone Cowboy.” If Neil Diamond has already recorded a song: it should be avoided at all costs. Clearly Glen Campbell ignored this sound advice when he recorded “Rhinestone Cowboy” in 1975. It became both a country and a pop hit and more than 30 years later it simply won’t die.
Lyric Sample: “Like a rhinestone cowboy/ Getting cards and letters from people I don't even know/ And offers comin' over the phone.”


“Muskrat Love” – Captain and Tennille

This 1976 cover song hit number 4 on the charts. It is a song – literally – about two muskrats falling in love. There are sounds – embedded in the song – of two muskrats making love. This song will make you want to kill all muskrats.

Lyric Sample: “Nibblin' on bacon/ Chewin' on cheese/ Sam says to Suzie/ Honey, would you please be my Mrs/ Suzie says, yes, with her kisses.”


“Oops, I Did It Again” – Britney Spears

The video features a 20-something astronaut (he must have had intense training when he was in elementary school) on Mars who stumbles on a Britney CD. Now we know. “Oops, I Did It Again” killed all life on the Red Planet.

Lyric Sample: “I cry watching the days/ Can't you see I'm a fool/ In so many ways?”


“Rich Girl” – Hall & Oates

The Son of Sam serial killer allegedly said “Rich Girl” was one of the motivators for his murderous sprees. Enough said.

Lyric Sample: “You can rely on the old man’s money/ It’s a bitch girl but it’s gone too far/ Cause you know it don’t matter anyway/ Say money but it won’t get you too far.”


“Paradise by the Dashboard Light” – Meatloaf

We groan when this song comes on the radio. It’s not only horrible – it’s long. Sex as a baseball game! Wow, what a concept. And let’s face reality here: who would have sex with the overweight Meatloaf in the backseat of a car?

Lyric Sample: “Let me sleep on it/ Baby, baby let me sleep on it/ Let me sleep on it/ I’ll give you an answer in the morning."


“Invisible” – Clay Aiken

Is this an original song? It sounds like a pop by numbers tune – bits stolen from every bad song ever recorded. But it’s also stalker creepy as Aiken pines to watch his girl (boy?) friend without her/him knowing it. This 2003 number has become absolutely unlistenable. Nice hair, Clay.

Lyric Sample: “Whatcha’ doin’ tonight/ I wish I could be a fly on your wall/ Are you really alone/ Who's stealin' your dreams?”


“Mr. Roboto” – Styx

It’s a futuristic epic! It’s a sci-fi rock opera! It’s a car commercial jingle! It’s got a robot singing in a robot voice! And look Styx (possibly the worst band of all time) can dance like robots!

Lyric Sample: “I'm not a robot without emotions-I'm not what you see/ I've come to help you with your problems, so we can be free.”


“Bohemian Rhapsody” – Queen

We can’t hit the off button fast enough when this 1975 song comes on. Awful! Glam rock has never been so pretentious. Freddy Mercury’s stream of consciousness nightmare is worse than fingernails dragging down the side of a chalkboard.

Lyric Sample: “I see a little silhouetto of a man/ Scaramouche, scaramouche will you do the fandango-/ Thunderbolt and lightning-very very frightening me.”


“Illegal Alien” – Genesis

Parodies bomb when they don’t work. Case in point: “Illegal Alien” is supposed to be a satire about the difficulties of being a Mexican immigrant in the U.S. But instead it’s just offensive. A happy, bouncy pop number that is probably very popular with members of the KKK.

Lyric Sample: “It’s no fun/ Being an illegal alien.” (see video above)


“With You” – Jessica Simpson

Another pop flop that sounds like it was stolen from various discarded hits over the decades. It’s disjointed. It’s awkward. And it was a hit in 2004. What the hell is wrong with us?

Lyric Sample: “Cuz I start thinking about it/ I almost forgot what it was like/ To know what love feels right.”


The Sexiest Song Ever Recorded?


Guilty Pleasures: Song You Listen to Alone

Highway to Hell: The Best of AC/DC

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Friday, October 10, 2008
Book Review: "Small Crimes" Pays Off Big

Many years ago, I interviewed the now late Robert Cormier, the author of young adult classics “The Chocolate War” and “I Am The Cheese.” Cormier started his career writing adult fiction. Most of his early works focused on working-class French-Canadians struggling to find the American Dream.

After the success of his first book “Now and at the Hour” (1960), Cormier’s publisher wanted him to write an epic on the French-Canadian experience. The publisher pictured a 1,000-page opus that would tell the story of French-Canadian family spanning generations. Cormier gave it a go, but he just couldn’t make it work.

The canvas was too large. “I like working small,” Cormier said. So instead of the epic, Cormier wrote “A Little Raw on Monday Mornings” (1963), the very personal story of a young French-Canadian woman struggling with an unwanted pregnancy.

My conversation with Cormier came to mind as I was reading Dave Zeltserman’s crime novel “Small Crimes.” You couldn’t find two more disparate writers, but both novelists understand the power of a smaller stage. Small stories can produce big results and unveil universal truths.

That’s the secret to Zeltserman’s fascinating novel about small town corruption and the consequences that follow. Unlike many crime writers today addicted to glamorous, far-fetched shoot-outs, outrageously high-concept plots, and the superhero-like-antics of protagonists, Zeltserman mines the ordinary for the extraordinary.

So instead of a comic book, Zeltserman’s readers get a tightly-wrought, character-driven neo-noir thriller that feels like it might be happening – right now. Zeltserman’s writing in “Small Crimes” has been compared to Jim Thompson’s and the assessment is dead-on (although Novelist Ed Gorman disagrees).

Thompson explored the lives of nihilistic losers on the fringe of society by expertly using first-person narrative. Every character in a Thompson novel is a flawed and damaged personality. Zeltserman’s “Small Crimes” plays in that sandbox as well.

It starts with his complex protagonist Joe Denton, an ex-cop recently released from prison for horribly disfiguring the face of the local district attorney by stabbing him repeatedly with a letter opener. Denton is a two-bit loser living in a world of delusion. He’s the unreliable narrator of “Small Crimes” and his view of the world is constantly being challenged by the reality of his situations and his interactions with the other characters.

Joe incorrectly thinks he’s a changed man: he’s ridden himself of his cocaine and gambling addictions and believes the slate is clean for him. That he can simply waltz back into the lives of his parents and wife and daughters and all will be forgiven. The problem with poor Joe is that he’s white-washed just how much damage and destruction he wrought on his loved ones.

His mother can barely look at him. His father thinks he’s a sociopath (which is likely true) and his wife has fled with their daughters and wants absolutely nothing to do with Joe – ever again. And this, believe it or not, is the least of Joe’s problems.

At the heart of “Small Crimes” (how’s that for an ironic title?) is mobster Manny Vassey. Vassey is dying of cancer and in talks with the DA Joe maimed to confess his crimes in order to get in heaven. Vassey has a truckload of information about Joe’s crimes while a police officer. Vassey also has the local corrupt sheriff Dan Pleasant over the same barrel.

Pleasant gives Joe a simple choice: Kill either Vassey or the DA to end the investigation. If not, Joe gets a bullet in the head. This is the plot device the drives the action of “Small Crimes” – will Joe kill the mobster or the lawyer? Or will he come up with his own plan of action?

But the novel is really about character – about sin and redemption and the power of self-delusion. If you’re a fan of crime fiction with some brains and sophistication (not to mention some slam-bang writing) behind it – don’t miss “Small Crimes.”

And keep an eye on this Dave Zeltserman guy: he’s going places.


Our exclusive interview with Dave Zeltserman

Deeply, Disappointing Dexter

Our interview with horror novelist David Wellington


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Tuesday, October 07, 2008
Hail to the (Fake) Chief

Our Favorite Movies Featuring Fictional U.S. Presidents





Just in time for the debates and the election season, we give you our favorite movies featuring make-believe presidents. If only it were so easy!


Air Force One

Year: 1997

Plot in a Nutshell: Terrorists hijack Air Force One and the president is forced to forgo diplomacy and kick some ass.

Playing the President Is: Harrison Ford

The President’s Name: James Marshall

Is He Presidential?: If you like your leaders to be men of action (and better at hand-to-hand combat than his Secret Service agents) – then, hell, yes.

Party Affiliation: Unknown, but likely a Republican

Best Presidential Quote: “Never again will I allow our political self-interest to deter us from doing what we know to be morally right. Atrocity and terror are not political weapons. And to those who would use them, your day is over. We will never negotiate. We will no longer tolerate and we will no longer be afraid. It's your turn to be afraid.”

Cool Trivia: The role was presented to Kevin Costner first, but he was committed to doing “The Postman.”

Would We Vote for Him?: After he single-handedly takes out the terrorists and defuses a bomb? Of course!


Dave

Year: 1993

Plot in a Nutshell: An average Joe who looks like the president and sometimes plays his body double is forced to assume command when the real president has a heart attack during a hotel tryst.

Playing the President Is: Kevin Kline

The President’s Name: William Harrison Mitchell

Is He Presidential?: The real president is a scumbag, but the body double Dave is a sweetheart.

Party Affiliation: The real president seems to be Republican, but Dave leans to the left.

Best Presidential Quote: “If you've ever seen the look on somebody's face the day they finally get a job, I've had some experience with this, they look like they could fly. And its not about the paycheck, it's about respect, it's about looking in the mirror and knowing that you've done something valuable with your day. And if one person could start to feel this way, and then another person, and then another person, soon all these other problems may not seem so impossible. You don't really know how much you can do until you, stand up and decide to try.”

Cool Trivia: Oliver Stone makes a cameo as a journalist who tries to convince everyone that the president isn’t really the president.

Would We Vote for Him?: Thumbs down for William Harrison Mitchell, but a thumbs up for Dave.


The Contender

Year: 2000

Plot in a Nutshell: The vice president dies in office and the new president selects a woman to replace him. Dirty politics ensue and the new VP tries to maintain her dignity.

Playing the President Is: Jeff Bridges

The President’s Name: Jackson Evans

Is He Presidential?: He’s crafty and charming and smart – so a definite yes.

Party Affiliation: Democrat

Best Presidential Quote: “Napoleon once said when asked to explain the lack of great statesmen in the world, that "to get power you need to display absolute pettiness; to exercise power, you need to show true greatness." Such pettiness and greatness are rarely found in one person... Laine Hanson has asked that I allow her to step aside. She asked me to do this because she wants my presidency to end on a note of triumph and not controversey. Understand, those of you who worked to bring Laine Hanson down, that she asked to have her name withdrawn from consideration, NOT because she isn't great, but because she isn't petty. Because those two forms of leadership traits could not live in her body or her soul. Greatness. It comes in many forms, sometimes it comes in the form of sacrifice - that's the loneliest form.”

Cool Trivia: Joan Allen plays the VP hopeful and this may be her best movie.

Would We Vote for Him?: A president who bowls? We’d punch that ballot.


Independence Day

Year: 1996

Plot in a Nutshell: The Earth is attacked by aliens and the humans rally around the president at Area 51 in order to fight back.

Playing the President Is: Bill Pullman

The President’s Name: Thomas J. Whitmore

Is He Presidential?: He’s the kindred spirit of Harrison Ford in “Air Force One.” He’s a president not afraid to get his hands dirty.

Party Affiliation: Unknown, but he appears to be a Democrat

Best Presidential Quote: “Good morning. In less than an hour, aircraft from here will join others from around the world. And you will be launching the largest aerial battle in the history of mankind. "Mankind." That word should have new meaning for all of us today. We can't be consumed by our petty differences anymore. We will be united in our common interests. Perhaps it's fate that today is the Fourth of July, and you will once again be fighting for our freedom... Not from tyranny, oppression, or persecution... but from annihilation. We are fighting for our right to live. To exist. And should we win the day, the Fourth of July will no longer be known as an American holiday, but as the day the world declared in one voice: "We will not go quietly into the night!" We will not vanish without a fight! We're going to live on! We're going to survive! Today we celebrate our Independence Day!”

Cool Trivia: Originally, the producers wanted to change the name of the film to “Doomsday” and release it on Memorial Day.

Would We Vote for Him?: Depends on who he was running against. He’s a bit too earnest for our taste.


The American President

Year: 1995

Plot in a Nutshell: The widower president falls in love with a lobbyist.

Playing the President Is: Michael Douglas

The President’s Name: Andrew Shepherd

Is He Presidential?: All the way. And he can dance as well.

Party Affiliation: Democrat

Best Presidential Quote (see video above): “For the last couple of months, Senator Rumson has suggested that being president of this country was, to a certain extent, about character, and although I have not been willing to engage in his attacks on me, I've been here three years and three days, and I can tell you without hesitation: Being President of this country is entirely about character. For the record: yes, I am a card-carrying member of the ACLU. But the more important question is why aren't you, Bob?

Cool Trivia: Robert Redford was originally cast in the role of the president.

Would We Vote for Him?: We’d vote for him and donate money to his campaign.


Vantage Point

Year: 2008

Plot in a Nutshell: A terrorist group tries to take out the president and a veteran Secret Service agent is all that stands in the way.

Playing the President Is: William Hurt

The President’s Name: President Ashton

Is He Presidential?: Yes, he gives a grand speech in Spain

Party Affiliation: Unknown, but a speech on terrorism probably means he’s a Republican.

Best Presidential Quote: “No, we have to be strong.”

Cool Trivia: The film takes place in Spain, but only the overhead shots were actually film there. The movie was actually filmed in Mexico.

Would We Vote for Him?: He’s got some loyal Secret Service agents who like him, but its difficult to get a take on his politics or his personality.


Absolute Power

Year: 1997

Plot in a Nutshell: While a thief watches him from behind a two-way mirror, the president attempts to rape a woman at a fundraising party and when she fights back she’s shot by the Secret Service agents. The president tries to cover it up, but the thief decides not to let him get away with it.

Playing the President Is: Gene Hackman

The President’s Name: Allen Richmond

Is He Presidential?: Are you kidding? The guy’s a criminal (well, some could argue that that is about as presidential as you get).

Party Affiliation: Unknown, but since he groped and raped a woman (not a man), it’s likely he’s a Democrat.

Best Presidential Quote: “He saw nothing. He saw a drunk woman who liked rough sex too much. He's a burglar. Who's gonna believe him? After all, it's not as if he has any evidence or anything.”

Cool Trivia: The film is based on the bestselling novel by David Baldacci.

Would We Vote for Him?: Ah, no.


My Fellow Americans

Year: 1996

Plot in a Nutshell: Two ex-presidents are framed by the current president and go on the lam in an effort to find evidence to prove their innocence.

Playing the President Is: There are three presidents in the film played by Jack Lemmon, James Garner and Dan Aykroyd

The Presidents’ Names: Russell P. Kramer (Lemmon), Matt Douglas (Garner), and William Haney (Aykroyd)

Are They Presidential?: Did we mention that they go on the lam?

Party Affiliation: Democrats and Republicans – cats and dogs!

Best Presidential Quote: “Hail to the chief, if you don't, I'll have to kill you. I am the chief, so you better watch your step, you bastards.”

Cool Trivia: Walter Matthau was supposed to play the Garner role, but he was too ill.

Would We Vote for Them?: Only if Moe from the “Three Stooges” was running against either one.


7 Obscure Serial Killer Flicks Worthy of Rental

Summer Blockbusters Rejected by Hollywood

Scary Water Movies

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Monday, October 06, 2008
Literary Criticism: Stephen Crane's "The Upturned Face"
Summary: Two officers – Timothy Lean and the adjutant, look down at their fallen commander killed in the middle of a battle. They seem at a loss for what to do, but to honor their fellow officer they call two privates off the line to bury him. With rifle shots ringing over their heads, the two enlisted men dig a shallow trench. But one of them is shot in the arm. Lean orders them behind the line and then Lean and the adjutant drag the dead officer into the hole. However, they aren’t able to turn him over and have to bury him with his face upwards. The sight unnerves both of them and they turn on each other bickering. Finally, willing himself not to look, but hearing the sound of the plopping earth, Lean manages to pile dirt on the dead officer’s face.

Analysis:
Stephen Crane remains an underappreciated gem in American literature. He was nearly rendered a footnote after his death of tuberculosis in 1900 at the age of 28, but two decades later he was embraced by the new generation of modernists, including literary lion Ernest Hemingway. Hemingway praised Crane’s novel “Red Badge of Courage” as one of the finest books in American literature.

Crane combined elements of Naturalism and Realism in his fiction and was ahead of his time in the use of simple direct language, irony, and dialect in his prose. He once said: “A story should be logical in its action and faithful to character. Truth to life itself was the only test, the greatest artists were the simplest, and simple because they were true.”

“The Upturned Face” fits that bill perfectly. The story is considered among Crane’s greatest (along with “The Open Boat,” “The Blue Hotel,” and “The Bride Comes to Yellow Sky”). “The Upturned Face” is difficult to describe. It’s a horror tale and a war story – but it so much more than its parts.

It is about death. It’s about how death – even in the middle of a war – can have a drastic effect on people. It touches on the intrinsic fear of death we all have. But Crane reaches out for more with “The Upturned Face” because the story also explores how the loss of leadership sends men adrift.

The protagonist, Timothy Lean, and the unnamed adjutant are startled by the death of their commanding officer – a men who until moments before they had followed into battle. He now lies on the ground – a corpse. The reality of that fact crashes down on them and leaves them completely rudderless.

That’s why the first words of the story are Lean saying to the adjutant: “What do we do now?”
The adjutant doesn’t know either, but he answers: “Bury him.” Because isn’t that what you do with dead people?

Neither of them is able to put their situation into context. They are in the middle of a battle – and it’s going poorly. They know that they can’t hold their position any longer than another hour, yet they decide to use this valuable time to bury their commanding officer.

Both of them are barely containing their panic – lashing out at the poor privates commissioned to dig the shallow grave. The following passages give a glimpse that how they are barely maintaining decorum:
“Yes,” said the adjutant, his face working, and then he burst out in a sudden fury at the two privates. “Why don’t you hurry up with that grave? What are you doing anyhow? Hurry, do you hear? I never saw such stupid—”

And then later:
The adjutant began to babble. “Well, of course—a man we’ve messed with all these years—impossible—you can’t, you know, leave your intimate friends rotting on the field. Go on, for God’s sake, and shovel, you.”

They want to give the commanding officer a proper burial, but the grave is inadequate and neither of them can remember the prayer said before a funeral. They struggle with it and lapse into petty bickering. One of the privates is shot in the arm and they let the two enlisted men retreat.

Then they are stuck with the dead man and his chalky blue face is staring up at them. They begin to regret their decision because neither has the courage to pile dirt on the officer’s face. Is it because of the finality of the act? Is it because they can’t bear to disrespect his station? To lose forever his leadership? Or is it their fear of death?

The beauty and the power of “The Upturned Face” is that it is all of the above.


Read our other Literary Criticisms:


Ambrose Bierce's "An Occurrence at Owl Creek Bridge"

Richard Connell's "The Most Dangerous Game"


Shirley Jackson's "The Lottery"

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Sunday, October 05, 2008
Poem: Old Garage

We bought a rundown, old house
with a broken down garage
out back,
the frame canting to the left,
endangering the neighbor’s fence.
Barn-like doors rotting,
windows cracked.
Inside
mouse droppings, cobwebs, and
black stains shaped like continents.

“Tear it down,” advised my father.
“An eye sore,” said my neighbor.
“Can’t be fixed,” the contractor told me.

In October, on a Saturday,
a cold breeze shivering the brown grass
out back,
I studied the garage from my bedroom
window.
Character and a firm resolve, and
good form.
Aged, bent, and forgotten,
but not ready yet
for the grave.

The next day, I rolled up
my sleeves.
I bought wood and a manual,
borrowed power tools.
Days turn into weeks.
Flurries and sleet, freezing
temperatures.
Rime coating the brown grass.
Ice inside an old metal bucket.

In the spring,
a purple crocus poking out of the mud,
out back.
My new garage glimmers,
Freshly painted, yellow
with bright white edges.
Straight lines, new doors, and
Panes.
My neighbor’s fence finally
gets to breath
a sigh of relief.


Read some of our other poets:

"Dad" by Jess Myers

"Hello, Daddy" by John K. Callahan

"Meanwhile I Kept Dancing" by Kara Emily Krantz


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Friday, October 03, 2008
The Fade

Summer ended with a minor crash today, like a wine glass that has fallen to a tile floor. The slivers of glass scattering like bits of ice. I woke early and felt the cold from beneath the comforter.

It was still dark; and as I padded to the first floor, I could feel the early morning chill seeping through the walls. I was shivering and, despite my reluctance, I turned on the heat.

The radiators burbled, coughed, and just like that summer slipped away.

The leaves are mostly green, but they’re tired. Some of their neighbors have begun to die (dye?). It’s faint, but there are speckles of red, yellow, and orange. The splash will soon come. The color will explode. Autumn – quick, furious, beautiful autumn – will seize the day.

And then the descent begins – the fade into winter. Fall is my favorite season. So ephemeral; like the pleasure of eating a freshly pick apple or the intoxicating vision of a mound of pumpkins. It's the season of poetry.

So why talk about autumn when you can experience it:


After Apple-Picking

By Robert Frost

My long two-pointed ladder's sticking through a tree
Toward heaven still,
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.

And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it's like his
Long sleep, as I describe its coming on,
Or just some human sleep


When A Poem is a Wheelbarrow

Mystical, Melancholy Autumn

The Rage of Autumn


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Wednesday, October 01, 2008
Essay: 5 Reasons to Vote Against Republicans

Reckless Debt Spending, Terrible War Planning, and Osama Bin Laden Running Around Free Top Our List Of Why Republicans Don't Deserve the Presidency


Is there anyone left in America that really still thinks George W. Bush has been a good president?

That the last eight years were better than the eight years under Clinton?

In case people have forgotten – Clinton handed Bush a balanced federal budget and a surplus of $559 billion. After eight years of reckless spending and tax cuts, Bush is ready to leave office with the federal deficit at $9.7 trillion dollars. This doesn’t even include the cost for the wars in Iraq and Afghanistan or the money we’re about to shell out to Wall Street and the financial markets.

The reality is that Bush’s tax cuts are an illusion. He increased spending with borrowed money. But eventually – like all loans – you have to pay it back.

This irresponsibility alone should put to the rest the notion that Republicans are fiscally responsible. It just isn’t true. Over the course of the last 50 years, the country has done better economically under Democrats than under Republicans. You don’t have to the do the number crunching – the L.A. Times has done it for you.

Isn’t this reason enough not to vote Republican in November?

Well, if you’re one of the stubborn ones, here are four more reasons why Republicans simply don’t deserve the White House for the next four years.


The Iraq War

Lest we forget: here’s why we went to war in Iraq:

“(The Iraqi regime) possesses and produces chemical and biological weapons. It is seeking nuclear weapons. It has given shelter and support to terrorism, and practices terror against its own people,” said George W. Bush in 2002. You can read the full text of his speech outlining why we needed to invade Iraq here. Be warned: it is scarily misguided.

Of course, after the invasion which has killed more than 4,000 U.S. troops, wounded more than 30,000 U.S. troops, and killed upwards of 90,000 Iraqi civilians, we have discovered that Iraq had never supported Al Qaeda, wasn’t even close to producing nuclear weapons, and didn’t have a single chemical or biological weapon.

Oops!

We’d better make another fabricated connection to 9/11! Vice President Dick Cheney did so repeatedly and continued to say Iraq had strong ties to Al Qaeda even after the 9/11 Commission found “no collaborative relationship” between Iraq and al Qaeda.

So why exactly did we invade Iraq? I’m not sure if we’ve ever gotten a real answer. But it has cost us more than $580 billion so far.


The Financial Meltdown

Not only was the first bailout package for Wall Street killed by the Republicans revolting against the policies of their own party, but it was the Republicans who lead the charge for the massive deregulation of the financial sector that is at the root of the problem.

Bush appointed Henry Paulson as U.S. Treasurer. Paulson is the former CEO of Goldman Sachs and has surrounded himself with other Wall Street insiders from his days at Goldman. They were slow to react to the mounting evidence that investment banks and other financial institutions were on the brink of collapse (Bush, in fact, was expressing confidence in the strength and stability of the markets as late as September 15).

Bush’s tepid response (it took him days to finally address the American people once the collapse became evident) is only slightly less ridiculous than McCain, who called the fundamentals of the economy sound on the day when the stock markets plummeted and banks went out of business. Then McCain overreacted by suspending his campaign and his debate with Obama – and then, of course, he did neither. Then he called for firing SEC Chairman Christopher Cox, even though he doesn’t have that authority (even as president).

Talk about a man in the throes of indecision and panic.

Perhaps this is why most people think the Republicans are to blame for the crisis. A new CNN poll has Americans 2-1 pointing the finger at Republicans rather than Democrats.


New Orleans

The city of New Orleans remains pocked with devastation from Hurricane Katrina three years later. In fact, the city hasn’t fully recovered and may never as the neglect from the federal government continues unabated.

You may recall that Bush didn’t think the hurricane merited ending his vacation early and that he didn’t tour the destruction until three days later – and then he went to Biloxi, Mississippi and talked about rebuilding Trent Lott’s porch and how he used to get drunk in New Orleans.

The federal government ignored New Orleans pleas to strengthen the levees as the storm was bearing down on it. Then the government bungled the recovery efforts – from providing shelter to getting food and water to victims. McCain called Bush’s handling of the disaster “disgraceful” back in April, yet he voted against a $21 million recovery package for the city and other areas hit by Katrina.


Bin Laden

Remember him? He’s allegedly the terrorist mastermind that murdered about 3,000 Americans on September 11, 2001 by orchestrating a deadly plot to fly airplanes into our institutions (a plot that Bush was warned about several months before it happened – yet he did nothing).

Bin Laden is the man who supposedly destroyed the World Trade Center Towers. The man who we are told planned the attack that had a commercial aircraft takeout a section of the Pentagon.

Yet, he’s a free man – and apparently an avid videographer.

How is it possible that Bush and the Republican-controlled Congress voted to divert soldiers, money, and resources away from finding Bin Laden in Afghanistan in order to invade Iraq – which had absolutely nothing to do with 9/11?

It’s remarkable that Bush said in September of 2006 that capturing Bin Laden was “not a top priority” for the United States. Huh?

Why?

We really don’t have answers, but there are questions about Bush’s personal and family connections to Osama Bin Laden’s family. This may be the best reason why Republicans don’t deserve another term in office. They have betrayed those killed in 9/11, but not making the capture of their alleged murdered the number one priority of the administration.


Read More of Our Essays:

Blame the X$#% Media!

Addicted to Convenience

The Danger of Bottled Water


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