Fitzpatrick leads walking tours of the former Round Table homes and haunts in
DaRK PaRTY: How would you describe the life and works of Dorothy Parker to someone who knows nothing about her?
Kevin: Dorothy Parker’s life was centered in two places:
Most know of Parker for her verse and her short stories. Everything she wrote you could fit in your backpack, so she is fairly easy to get a grip on: about 300 poems and around 30 short stories. She never wrote a novel, to her chagrin. Her verse is well-crafted from a technical point of view, but what Parker is known for is her turn of a phrase, such as “Frustration” which she wrote 80 years ago this summer:
If I had a shiny gun
I could have a world of fun
Speeding bullets through the brains
Of the folk who give me pains;
Or had I some poison gas
I could make the moments pass
Bumping off a number of
People whom I do not love.
But I have no lethal weapon --
Thus does Fate our pleasure step on!
So they still are quick and well
Who should be, by rights, in hell.
Her short fiction is extremely easy for newcomers to get into. Parker wrote primarily about everyday people, the kind of characters you’d meet casually or know from school. All her work is centered in the world we know; Parker never wrote about 17th Century French chateau love triangles. Her stories are set in speakeasies, taxicabs, diners, and sidewalk cafes.
DP: Parker was known for her sharp, caustic wit. Can you give us some examples of your favorite Parker barbs?
Kevin: At one time Dorothy Parker was the most-quoted woman in
She was Broadway’s first female drama critic, and a lot of her immortal reviews and comments are centered on the theatre. Of the play The House Beautiful she wrote, “The House Beautiful is the play lousy.” She also reviewed books for The New Yorker. Reviewing a science book, she wrote, “It was written without fear and without research.” Of Lucius Beebe’s Shoot If You Must, Parker said, “This must be a gift book. That is to say, a book which you wouldn’t take on any other terms.”
There are so many good ones; it is hard to narrow it down. But I do like the story of Parker out on a date with a snobby younger man. He put down the antics of one of the other party guests, saying, “I’m afraid I can’t join in the merriment, I can’t bear fools.” To which Parker replied, “But your mother could.”
DP: Next month is the 40th anniversary of Parker's death and your organization is holding "A Journey into Dorothy Parker's
Kevin: That is what makes Dorothy Parker timeless. Her
If you read one of her Broadway play reviews, the theater she sat in is probably still in business. Or a short story that is set in Grand Central Terminal or on
Kevin: All those attempts ended when she met her second husband, Alan Campbell, when she was 38. She was very unhappy in her thirties. Today, someone suffering such as she did would seek professional help or be prescribed drugs to combat depression. Instead she self-medicated with alcohol. I think she had a very unhappy childhood, which stretched to young adulthood. Her mother died when she was a child; I believe she was genuinely lonely. I know a lot of creative people that for whatever reason, they may be the life the party and have lots of friends and acquaintances, but suffer from depression.
DP: Is Parker still an important literary figure in 2007? If so, why?
Kevin: The fact is Dorothy Parker has never gone out of print. Work that she created before World War I is still on bookshelves. There are not that many American writers, male or female, who are in that company; certainly not a writer such as Parker, who had a limited output.
I’ve often said that the reason Dorothy Parker is still read today, and remains popular while others of her era have been forgotten, is because she wrote about the human condition. Getting your heart smashed into a million pieces feels the same in 2007 as it did in 1927. Parker wrote about bad boyfriends and lousy bosses, topics readers could identify with today. She chose as subject matter wives, dogs, gin, and getting old. Her work carries into the 21st Century so easily; new readers just scoop Parker up. One of the most telling moments, for me, of how Parker attracts new fans was when I attended an adaptation of her work a couple years ago. The young actors didn’t change any of her words, and they performed her pieces in regular street clothes, not dressed as flappers and gangsters. I vividly remember watching a girl perform Parker’s short story “A Telephone Call" -- using a cell phone. It showed me that Dorothy Parker is going to be with us for a long, long time.