DaRK PaRTY ReVIEW
::Literate Blather::
Friday, March 06, 2009
Poem: Sunrise Over Worcester


By Josiah Bardsley


The March sun rises over the cold Worcester hills
And his heart holds its mysteries silent and still
Grey as coal dust, this strange day breaks
And with the soft light of dawn, a new soul it takes

High above the trees, staring out across the line
Of the barren shade of beauty that still endures to shine
In the days about to come, in the weeks of recent past
The hope that has sustained me is ebbing now at last

For it’s the darkest shade of dawn that takes away the light
When the deepest breath he took was just to last throughout the night
But the dawn cannot turn around and reverse the fate of day
And we cannot last beyond what is our determined stay

And so it marches steady and so it marches on
The coal grey light of endings, this dismal Worcester dawn
So go ahead, and take what’s yours, I see no other way
And leave the rest of us to make it through this dismal Worcester day


(Josiah Bardsley lives in San Francisco where he spends way too much time hanging out in used bookstores and bars. He likes fog, small dogs and moonlit walks on the beach....really. This is his first submission to DaRK PaRTY)


More Poems:


Shut-Up

Spanish Poetry

Stars Get in the Way of Things



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Tuesday, November 04, 2008
Poem: Election Day


ELECTION DAY, NOVEMBER, 1884

By Walt Whitman


If I should need to name, O Western World, your powerfulest scene and show,

'Twould not be you, Niagara - nor you, ye limitless prairies - nor your huge rifts of canyons, Colorado,

Nor you, Yosemite - nor Yellowstone, with all its spasmic geyserloops ascending to the skies, appearing and disappearing,

Nor Oregon's white cones - nor Huron's belt of mighty lakes - nor Mississippi's stream:

This seething hemisphere's humanity, as now, I'd name - the still small voice vibrating -America's choosing day,

(The heart of it not in the chosen - the act itself the main, the quadrennial choosing,)

The stretch of North and South arous'd - sea-board and inland - Texas to Maine - the Prairie States - Vermont, Virginia, California,

The final ballot-shower from East to West - the paradox and conflict,

The countless snow-flakes falling - (a swordless conflict,

Yet more than all Rome's wars of old, or modern Napoleon's): the peaceful choice of all,

Or good or ill humanity - welcoming the darker odds, the dross:

- Foams and ferments the wine? it serves to purify - while the heart pants, life glows:

These stormy gusts and winds waft precious ships,

Swell'd Washington's, Jefferson's, Lincoln's sails.


(This poem appeared today in the Boston Globe. The important thing is for everyone to get out and vote -- no matter whom you decide to cast your ballot for.)

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Sunday, October 05, 2008
Poem: Old Garage

We bought a rundown, old house
with a broken down garage
out back,
the frame canting to the left,
endangering the neighbor’s fence.
Barn-like doors rotting,
windows cracked.
Inside
mouse droppings, cobwebs, and
black stains shaped like continents.

“Tear it down,” advised my father.
“An eye sore,” said my neighbor.
“Can’t be fixed,” the contractor told me.

In October, on a Saturday,
a cold breeze shivering the brown grass
out back,
I studied the garage from my bedroom
window.
Character and a firm resolve, and
good form.
Aged, bent, and forgotten,
but not ready yet
for the grave.

The next day, I rolled up
my sleeves.
I bought wood and a manual,
borrowed power tools.
Days turn into weeks.
Flurries and sleet, freezing
temperatures.
Rime coating the brown grass.
Ice inside an old metal bucket.

In the spring,
a purple crocus poking out of the mud,
out back.
My new garage glimmers,
Freshly painted, yellow
with bright white edges.
Straight lines, new doors, and
Panes.
My neighbor’s fence finally
gets to breath
a sigh of relief.


Read some of our other poets:

"Dad" by Jess Myers

"Hello, Daddy" by John K. Callahan

"Meanwhile I Kept Dancing" by Kara Emily Krantz


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Friday, October 03, 2008
The Fade

Summer ended with a minor crash today, like a wine glass that has fallen to a tile floor. The slivers of glass scattering like bits of ice. I woke early and felt the cold from beneath the comforter.

It was still dark; and as I padded to the first floor, I could feel the early morning chill seeping through the walls. I was shivering and, despite my reluctance, I turned on the heat.

The radiators burbled, coughed, and just like that summer slipped away.

The leaves are mostly green, but they’re tired. Some of their neighbors have begun to die (dye?). It’s faint, but there are speckles of red, yellow, and orange. The splash will soon come. The color will explode. Autumn – quick, furious, beautiful autumn – will seize the day.

And then the descent begins – the fade into winter. Fall is my favorite season. So ephemeral; like the pleasure of eating a freshly pick apple or the intoxicating vision of a mound of pumpkins. It's the season of poetry.

So why talk about autumn when you can experience it:


After Apple-Picking

By Robert Frost

My long two-pointed ladder's sticking through a tree
Toward heaven still,
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.

And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it's like his
Long sleep, as I describe its coming on,
Or just some human sleep


When A Poem is a Wheelbarrow

Mystical, Melancholy Autumn

The Rage of Autumn


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Friday, May 30, 2008
How Hollywood Ruined an Epic Poem
Why Beowulf Should be Read -- Not Watched




“I am Ripper... Tearer... Slasher... Gouger. I am the Teeth in the Darkness, the Talons in the Night. Mine is Strength... and Lust... and Power! I AM BEOWULF!”
- Beowulf, from the 2007 movie


It was with great anticipation that we finally rented the DVD “Beowulf.” As enormous fans of the Old English poem about heroism (especially the masterful translation by Poet Seamus Heaney), we eagerly looked forward to the visual interpretation of the story.

We were left with stomach cramps and a strong desire to seek out director Robert Zemeckis at his favorite bistro and kick him in the nuts. They should have been forbidden to name the movie after the poem – instead opting for a more appropriate title: “Beo-Whimp.”

Leave it to Hollywood to alter a story that has riveted generations for more than a thousand years because they didn’t it find the narrative gripping enough for modern audiences. So instead of trusting the material they did what they always do – dumbed it down by infusing it with an episode of Jerry Springer.

“Beowulf” – the poem – is the oldest piece of surviving English literature written around the 8th century. The poem is the epic tale of Beowulf, a warrior of the Geats (part of Sweden), who battles three antagonists: Grendel, a monster, Grendel’s mother, and later an unnamed dragon. He is killed in the final battle.

The poem is notable for the character of Beowulf – a hero who becomes king by testing his courage and strength against evil creatures of great supernatural power. He travels to Denmark to aid King Hrothgar and his court when Grendel, a monster and possibly a demon, terrorizes them.

Beowulf, without his sword, tears Grendel’s arm off in battle and the creature returns to his bog to die. While the Danes celebrate Beowulf’s victory, Grendel’s mother attacks the court and kills many while Beowulf sleeps in another dwelling.

Vowing revenge, Beowulf tracks Grendel’s mother to her lair under the bog and during an epic battle he slays her with a magic sword he discovers among her plunder. He returns to Geatland and eventually becomes king for 50 years. When a dragon attacks his kingdom, Beowulf tracks the beast to its lair and cuts it in half with a dagger. Poisoned by the dragon’s horn, Beowulf dies after the battle. He is buried in a barrow.

One would imagine that this heroic tale filled with blood, guts, and courage would be more than enough to satisfy modern audiences. But leave it to Hollywood to “sex it up” with its own misguided interpretation. The Hollywood hackers justified these flights of fancy by claiming Beowulf is an unreliable narrator. Here are the major changes:

  • Grendel becomes more of a confused teenager struggling with his isolation. He kills because men reject and hate him for his differences (instead of being a devil-spawned mass murder). In fact, during his death scene he becomes a wounded child
  • Grendel’s mother (played by Angelina Jolie) becomes a sexy seductress who charms King Hrothgar and then later Beowulf
  • Hrothgar is a drunk and philanderer
  • Grendel is King Hrothgar’s illegitimate child
  • Instead of killing Grendel’s mother, Beowulf is seduced by her
  • Grendel’s mother gives birth to Beowulf’s illegitimate child – the dragon
  • Beowulf kills his son and his son kills him
  • The movie ends with Beowulf’s second in command being beckoned for seduction by Grendel’s mother

In other words, the entire point of the poem is tied up, dragged into a closet, and beaten to death with an axe handle. The real monsters are humans – who make the poor misunderstood Grendel an outcast because he looks different (not because he’s an evil bastard who dines on their flesh).

There’s no greater casualty than Beowulf. The noble warrior who risks all for others becomes a lying, boastful egotist – an adrenaline and sex junkie instead of an epic hero. He’s a thoroughly modern leader in the mold of CEO – flawed, greedy, arrogant, and completely self-possessed. The scene where he strips naked to fight Grendel (and then has his private parts covered in creative ways) plays more than Austin Powers than legendary warrior.

How can we say this? Oh, yeah: Beo-Whimp.

Thankfully, we aren’t alone is condemning this tripe. British writer Michael Morpurgo criticized the movie this way:
“The film changes the very nature of its hero. He becomes vulnerable and flawed, and he loses much of his nobility. The minute he starts lying, he becomes less interesting. The monster, Grendel, is also rather diminished here. He is imagined as a pathetic creature - you feel as if he's being eaten from the inside by maggots. I never had the sense of his enormous and terrifying strength. They've created a whole new plot about who slept with Grendel's mother, which feels clunky."
Bonnie Wheeler, director of Medieval Studies at Southern Methodist University had little use for the film as well:
“It’s a great cop-out on a great poem... For me, the sad thing is the movie returns to… a view of the horror of woman, the monstrous female who will kill off the male. It seems to me you could do so much better now. And the story of Beowulf is so much more powerful.
Our advice: buy the poem – avoid the film


Thor: Sex Advice Columnist

Ode to "Dawn of the Dead" (both movies)

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Monday, May 26, 2008
Poem: In the Dark Woods

By Mike Snider

Getting into the woods is easy--
Even in a park you leave the path

Only a moment--turned around--
Everything is almost right--

That beech was an oak--
The creek gone underground for a spell

Three notes sounding smooth rocks
Quartz breaking open in the hand--

In the thicket wait
Burrs, cuts, and ticks

Up the stony hill
Trampled ferns and asthma

Down the gully broken logs
Or is it legs?

Well. Nothing for it
But to get on with it.

This time you're on your own.


(Mike Snider, a computer programmer, with the heart and soul of a poet and musician. He scribbles with passion at his poetry blog Mike Snider on Poetry. He also plays in the band the Baker Boys in his home state of Maryland. This is Mike's first poem on
DaRK PaRTY.)

Read Christine Larson's poem "Five"

Read Kara Emily Krantz's poem "Spanish Poetry"

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Tuesday, March 25, 2008
Poem: Five

By Christine Larson


One: Say That a Thousand Times

In the air,
on my tongue,
on the paper,
each time it weighs differently.


Say that a thousand times more:
My father killed himself.

Two: They Made Love

He threatened to kill himself a thousand times,
a thousand times, maybe more.
Maybe she threatened to leave.
I can see him pleading

baby, baby, baby.
I can see her enjoying that.
Maybe she said

this isn’t working,
smoked a cigarette.
They made love.
It grew within him like a cancer,
one that only he could imagine and foster.
Already in touch with failure,
he fucked her, pretending to enjoy it.
Maybe she was distant,
already worried, perhaps.

we need to talk
she might have said
and then lit a cigarette.
They made love.
My father was not well
and she was
not affectionate.
They made love.
I imagine it went something like this.

Three: Did She Know?

His oldest daughter
almost called him on Father’s Day.
Did she know?
One brother had just died and
another refused him money.
Did she know this?
His mother had just disowned him.

I don’t know if she knew.

Did she say
you have your family
And did he say
without you there is nothing
Maybe she said
no, it’s over
never actually intending to go.
I picture her smiling.
I think she smiled a little.

baby, baby, baby
That day, I think he begged.
She played his loneliness,
and he, her guilt.
She threatened to leave;
he threatened the same.
Maybe this was an old dance for them.

Did she know?

Four: The Safety

This moment was far from the first.
He did something different, maybe,
fucked up to start with.
To show he was serious,
would he have taken off the safety?
Or out of habit perhaps.
Was the safety even on?
He would have held the gun to his head.

it isn’t working
this isn’t working

That day, did he hear her?
He certainly fucked her
on the fold-out couch.
He always kept his gun
by the fold-out couch.
He would have reached for the gun,
his gun.

You are all there is
He would have said.
I have no family
He would have said.
It would have put him over the edge,
the perfect jumping-off point.
Did he take the safety off?

It doesn’t matter.

Five: It Hurt to Hear Her

It hurt to hear her
say those things:

generous and loving, kind
She talked of a man I didn’t know,
this woman.
Not one kind word did the others offer:
his brother, sad-faced and quiet;
his ex-wife, pretending to cry

my poor girls;
the same as always
and beautiful like him, his daughters,
silent.
She was the only person
I thought I didn’t know.
Maybe his last thought was

bitch
I’m serious, damn it

His hand tight to keep from being swatted away,
without intent, squeezing.
Annoyed, he reacted.
She might have reached to swat the gun away;
this is what she said.
I suspect they struggled and the gun went off.
She said she tried to take it from him.
She said she reached for it
but something happened
this time.
My father, with a gun to his head,
generous and loving, kind.

It hurt to hear her.

(Artist by day and poet by night, Christine Larsen is a meanderer by nature. She is prone to overly dramatic pauses in conversations, unpredictable detours in thought and picking up shiny things. Christine is sometimes clever, often sarcastic and always highly susceptible to the temptations of chocolate and tequila. She lives and writes in Nashville, TN where her work can be seen and heard locally.)

Read Christine's other poem "Senryrus for Dirtbags"

Read our 5 Questions About Modern Poetry

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Wednesday, February 06, 2008
Poem: Senryrus for Dirtbags
By Christine Larsen


1.

Like sociopaths,

Mosquitoes never worry

that they might hurt you.


2.

Even as I watch,

you manage to steal from me.

You are such a dick.


3.

Well-behaved and kind

as I am, I will explode

eventually.


4.

The phone is turned off;

the locks on the door are changed.

Can’t you take a hint?


5.

Email me again,

and I swear, motherfucker,

I’ll burn that laptop.


6.

Seven inches—ha!

I measure it in my hand;

six is generous.


7.

Your “prowess” in bed—

even exaggerated—

must embarrass you.


8.

Your three dogs leave more

of an impression on me

shitting in my yard.


9.

A piece-of-shit car

left behind in the garage

has more use to me.


10.

I dream you are dead

and ground up in a blender.

I wake up smiling.


(Artist by day and poet by night, Christine Larsen is a meanderer by nature. She is prone to overly dramatic pauses in conversations, unpredictable detours in thought and picking up shiny things. Christine is sometimes clever, often sarcastic and always highly susceptible to the temptations of chocolate and tequila. She lives and writes in Nashville, TN where her work can be seen and heard locally.)


Read our tribute to Red Wheelbarrow here

Robert Frost and the first snow of Winter here



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Thursday, December 27, 2007
Poem: Spanish Poetry

By Kara Emily Krantz


if i read you
pablo neruda
with faux spanish lilts
will you smile at me
deliciously

listen to the inflections
in my voice
until we fall asleep
in a blanket
of momentos silenciosos.

if i read you
spanish poetry
will you
adóreme.

remind me of kindness
with your warm
liquid eyes.
i barely comprehend
all the parts of you
i recognize.

if i sing you
pablo neruda
to the sounds of
your guitar
are we sharing music
or poetry
or perhaps
it is
eternity.

mira...
how your silent moments
awaken such sweet
sounds
in me.


(This is the second poem by Kara Emily Krantz featured at DaRK PaRTY. Kara is a graduate student studying counseling psychology who lives in Central Massachusetts. You can read more of her verse at the Writer’s Café.)


Read Kara's poem "meanwhile i keep dancing" here


Read our musings on poetry and the first snow of the season here



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Tuesday, December 11, 2007
Poem: How To Grow Up

By Jess Myers


1987. Fall in love with The Wizard of Oz. Learn to walk in red leather heels. Also, pretend to smoke thin rolls of paper and drape a yellow towel on your head like long blond hair. Feel utterly beautiful as the tornado whisks you away.

1989. Get a perm for your birthday. Show your Grandfather, who laughs and says you look ridiculous, which is not as bad as when he said your sister’s pixie cut made her look like an Auschwitz survivor, but still feel gravely concerned that your value as a human being has dipped well below socially acceptable. This feeling is central to being a woman.

1988. Kiss Lee Pongpipat (the only Asian boy you’ve ever known) on the cheek after agreeing to trade him Buddha for God.

2001. Take a job as a dishwasher at a party rental store where you clean frat-boy piss out of the drinks fountain. Use the money to buy a fierce pair of heels.

1993. Barbie and Ken break her white and pink plastic canopy bed on their honeymoon. The next day she divorces him and marries My Little Pony, and they consummate their union in the Playskool barn.

2002. Be cheated on by a frat-boy.

2004. Take a job as an occupational therapist in Oxford, where you have to bathe an old man who tells you to “go fuck yourself you Goddamn Yankee” and who will be assaulted by a middle-aged woman who will tell him that he’s dirty and plays with his bollocks and steals her babies. Use the money to go to Ireland.

1981, December 22, 9:42 p.m. Your father will note that you have the Brown “monkey-toes”, meaning that your toes, and the toes of virtually everyone in your family are freakishly long, a trait which he will point out at birthday parties and family reunions for the next 23 years, until you snap and tell him he’s embarrassing you both. Feel undesirable to foot fetishists.

1994. Get your ears pierced and practice French-kissing with a girlfriend. Also, after D.A.R.E. graduation, practice smoking grass. Not marijuana, lawn clippings.

1999. Your mother buys you a silver dress and silver heels. Get your hair and makeup done in the style of a dramatic 40s film star. Wear a corset for the first time in your life. Very nearly faint from lack of oxygen. Go to the prom with a blue-haired boy who will leave you for his ex halfway through.

2005. 8 a.m., kiss a boy to make up for the first kiss you had the night before but that was forgotten in a haze of white wine and hard cider.

1990. Convince your sister to run away with you from a life in the cruel oppression of your slave-owners to one of freedom and opportunity. Slip quietly into Oz while the dishwater goes cold and filmy in the kitchen.


(Poet and writer Jess Myers is a regular contributor to DaRK PaRTY. She lives in New York City where she is toiling away in corporate real estate.)

Read more poems by Jess:

Dad

Quiet Contemplations in my Hometown Church on Christmas Eve


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Thursday, November 08, 2007
Poem: Walking to Work, 5:42 a.m.

By Jessica Fox-Wilson


Streetlights dot the sidewalk,
pierce the dark sky like stars.

Salt, gravel and ice slide
me forward, unsteadily. I know

what is coming next:
eight feet, ten feet, twenty

of packed semi, buttressed
by sheets of plywood. I will hop

left-right-left-right, blowing
warm breath into my freezing

fingers, taste rubber work gloves
on my lips. I will not talk

too early, will not wear a back brace
over shirt, under coat, will not

breathe black exhaust fumes, will not
ask for help hoisting the oak armoire

on the lone two wheeler, while
guiding it safely inside. The only

conversation will be two unfunny
morning DJs cackling on the radio

and my internal counting of cardboard
boxes, minutes on my time sheet,

minutes until the sky burns blue
and I crawl tired, home.


(Jessica Fox-Wilson 30 year old working poet/writer for Minnesota. In between her job, hobby, husband, friends, she is trying desperately to create a working writing life. As she balances all of this, she realizes that she can’t be the only one attempting this tightrope act. She authors the blog 9 to 5 Poet to share her experiences.)



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Friday, September 14, 2007
Poem: The Great Drunken Poet

By: Raymond King Shurtz


I am standing in front
of the house on Edgewater Terrace,
high on speed,
screaming at the ghost of a poet,
watching him vomit in the front yard ivy.

The chaos is breaking out amongst
the meat puppet muses
in the house I call home—
I’m rushing towards that
gorgeous poetic image
that the whole world is waiting for.

I walk in the house,
past John Bennett,
past my Aunt Linda,
past my Mother,
past half the worthless
drunken word shepherds in L.A.

Past the drunken actors,
past the stoned painters,
past the posers in gauze shirts,
finally, past Bukowski himself,
trying to hold court from a blackout.

He lets out a howl, says, “Where ya’ goin’ Kid?”
“Up to my room, Hank,” I say,
“Where you going, to NASA?”
He stares at me for a moment,
trying to gage if my intent is funny or folly,
I don’t give him a chance,
I’m off to my room,
to the roof to smoke a joint.

The gray dome of LA looms above my head
I’m in seventeen-year-old angst—
cursing all poets,
cursing all writers,
cursing all the sons and daughters of writers.

I yell at the smog,
it is blocking my way to the stars,
I yell at the moon
it hasn’t a face,
I yell at God
because he left town after the earthquake of 1971.

I hear the voices of my Aunt Linda
and Mother downstairs,
laughing at the wit of the great drunken poet,
like shills charming up the great joke--
it spills across the room like a brush fire.
The room burns up,
I hear the devil beckoning me to suicide—
I hear the great emptiness of the silver lakes—
I hear the roar of all the lost young souls on rooftops.

I smoke another joint,
I am beginning to hallucinate,
the voices downstairs seem comical now—
the poets are all Saturday morning cartoons,
I walk down to see the show.

I go to the fridge to get a beer,
the great drunken poet meets me—
my hand reaches for the writing fuel,
He says to me,
“Have a Schlitz, Kid, just don’t tell your Mother I gave it to you.”
I want to say,
“Thank you great drunken poet!,
thank you for giving me what young poets in training need!”
I don’t... I don’t say anything,
instead, I laugh at the great drunken poet’s wit,
like everyone else--ashamed of all of us.

I go back up to the roof for another joint,

suddenly,
I'm sobbing,

suddenly,
I'm shaking,

I'm looking for
the way down from the speed,
I'm looking for
the way back to God,
the way back to my lost childhood,
I'm looking for
the way to death,
the way through the smog,
I'm looking for
the way to my high school graduation,
the way to satisfy this great emptiness,
I'm looking for
the way to Paradise,
the way to find some fucking courage--

the way to find some fucking courage!
It's screaming, I'm screaming--
everyone is screaming! I'm... I'm screaming.
No, I'm only sobbing.
I'm only sobbing.

Emptied out.

I'm looking for
the way--

I'm looking for the way far away from great drunken poets.


(This is Raymond's second poem at DaRK PaRTY. Yes, he really knew Author and Poet Charles Bukowski and, yes, he called Buk "Hank" and Buk called him "Kid." Raymond directs the theater and film program at Metro Arts Institute in Phoenix, Arizona. Raymond has been working in the theater and film business for 20 years. His plays are published by Samuel French and Anchorage Press. He also designs, acts, directs, teaches and writes, and was most currently awarded the Arizona Commission on the Arts Playwriting Fellowship in 2003.)


Read Raymond King Shurtz's poem "Stars Get in the Way of Things" here

Read our 5 Questions Interview about Charles Bukowski here

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Saturday, July 28, 2007
Poem: Cosmopolitan Dreams

By Krista Laraine


I am getting lots of exercise
shaking those martinis.


.......sip, sip.........
....... sigh............


Shaken 'till they're icy
cause it's summertime.
Goose and all the gander.
I want it like a kid wants a
Slurpee.


.....sip, sip..........
........cry............


I have figured it all out.
I want to be a lawyer.


......sip, sip............
....... zzzzz.............


I'm getting too much exercise.


(Originally from Florida, Krista Laraine is a poet now residing in Manchester, Vermont. When she isn’t writing, she’s often acting in local and regional theater. More of her poetry can be found at The Writer’s Café.)



Click here to read the poem "New Intern" by James Duncan




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Wednesday, June 20, 2007
Poem: Shut Up



No one talks about it,
of course.

But you think about it:
All fathers -- all of them --
hate their children.

Midnight shops for diapers
in overly bright convenience stores.
Tea parties with stuffed
pigs and a marble-eyed tiger named Stripe,
during the playoff game.

You try to ignore the smug pity
from the single guys at the office
when you decline --
yet again --
beers and buffalo wings at
O'Malley's Pub.

You try to live with the stains
on your laundered shirts,
and driving to work not knowing
who won last night's baseball game.

Tired all the time.


You think about leaving.

But then,
on some random Tuesday,
you lift her out of the tub,
pink and warm
and smelling like a freshly sliced grapefruit.
She presses her face
into your chest and
her little hands wrap around your thick neck
and she says:

"I love you, daddy."

And you keep your damn mouth
shut.



Click here to read Jess Myer's poem "Quiet Contemplations in My Hometown Church on Christmas Eve"



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Monday, June 11, 2007
Poem: Waiting for the Other Sword to Drop

By: Rebecca Traquair


like any self-respecting fangirl, I’ve quibbled over translation before

I suspect, for instance, that Japanese, unlike English

doesn’t distinguish the finer distinctions

between elves, fairies, pixies

but then, I know no word for kitsune

but kitsune


the publishers promised to preserve the manga feel

leave the art inviolate, to bring us the whole story


so back to front we read between the lines, fill in the blanks

gloss over our disagreements… to absorb story

told in blood and meat and bone and steel, love and betrayal

paper and ink… magic

I believe story is universal; I live for this


the western audience made it through ten issues without apparent issue

before the publishers broke their word

as though we readers can’t recognize hoof-beats, wind, or steel on steel

we can’t imagine the armour clanks, spurting squelching entrails,

or the roar of demon-gods, not angry, but hungry

at least, not without a little starred box to translate each sound


for the sake of the story, I’ll swallow this outrage

maybe I should have known better than to trust the publisher

to trust their audience

to understand the parts that should be left out


(Regular DaRK PaRTY Contributor Rebecca Traquair is a poet living in Edmonton, Alberta, Canada.)


Read Rebecca's poem The Last Visible Dog



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Thursday, May 10, 2007
Poem: The Last Visible Dog
By: Rebecca Traquair


“I am not a number. I am a free man.”

There are sparrows, and there are canaries
But any bird can have its wings clipped, and
Any bird can fall

Define your humanity. Leave out race, gender, age, orientation, belief, title, citizenship, economic status, the colour of your hair…
Are you in, or are you out?

It’s educational
A to Z. Auschwitz to Alcatraz.
Places to examine, imagine, even be overwhelmed, overcome
But an outsider can never really understand
You can go home again
You can walk away

Some things will always be beyond our grasp
Like the names of all who died in those camps
We turn it into museum and monument
Lest we forget

A prison can become a tourist attraction
Small comfort to more than two million people in America today
But interesting, curious, something to think on
For those with the luxury of contemplation

Freedom is abstract… like love, peace, happiness
Prison is concrete…
Concrete and steel bars and the slow leak of lost hope
Yet, infinity defines them both
What comes after
What’s inside

Released to a new life sentence of uncertain prospects
Freedom is only as big as the cage built around your heart


Read Rebbecca's poem "The Internet Is For Porn"


(Regular DaRK PaRTY Contributor Rebecca Traquair is a poet living in Edmonton, Alberta, Canada. Besides a love of words, she also has an addiction to computer games -- especially games with swords and dragons.)

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Thursday, May 03, 2007
Poem: Quiet Contemplations in my Hometown Church on Christmas Eve
By Jess Myers


And so it was that there appeared across the aisle
a multitude of people I didn’t like in high school.
And there were in the same pew
the husbands of those people,
and yay! They seemed utterly bored with marriage,
which means, I suspect,
that they’ve stopped screwing
(other people)

And fear not!
For there are good tidings of great joy!
for her ass has doubled
(and her chin,
increasing surface area for her beard)

And yea, though her husband has clearly given up
and looks to be a Yeti lumberjack,
I have caught him staring at me,
for since graduation
my wardrobe has improved,
my ass has not increased,
and my breasts have.

And there were in the same place
my uncle’s children and his ex-wife,
and the glory of the Lord shone around her
for she was lit like a Christmas tree.

And the babe refused to be swaddled,
but stood on her thighs and screamed
“I hate you Mom, I want to live with my Dad!”
And verily I smiled and waved
and she rolled her eyes and said
“we’re just living the dream.”

And I kept all these things
and pondered them in my heart.
Along with my plans to leave and never return.

And lo, that eve, I slept in heavenly peace.
Amen


Read Jess's poem "The Strangest Thing"

(Jess Myers is a graduate of Ithaca College who works for a finance company in New York City. Her work is largely autobiographical, though she sometimes calls it fiction, because she takes perverse pleasure in seeing what meaning people ascribe to her life. Her favorite writers are David Sedaris (whose reading inspired her to change her major from vocal performance to creative writing), Dorothy Parker, and Flannery O'Connor, to name a few. Jess is also a trained equestrian and archer. Her full portfolio can be found on WritersCafe.org.)

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Monday, April 02, 2007
Poem: Stars Get in the Way of Things

By: Raymond King Shurtz


Last Saturday,

I was driving down the freeway to Tucson—
early in the evening.
I saw someone in another car
that made me think of you.

It was the same time,
the same day,
driving this same road,
maybe even the same time of year,
late winter,
as I tried to recall.

You had just said something
about a movie we had seen
a couple of weeks before,
I had just finished reading the paper.
We were trying to remember
the name of one of the characters,
he played a supporting role.
You thought he had just died
in a car wreck or something.
“James somebody," you said.

“No, I don’t think it was James,
I think it was Michael somebody.”

Then you said, “No, it was James, I’m positive...”

We both stopped—
looked out at the road in front of us.
There were no cars anywhere.
The only sound was the wind whistling through a cracked window.

We were thinking.

We were thinking about movies.
We were thinking about actors,
We were thinking about car wrecks and motion.
I thought of James Dean,
the tangled metal of a Spider Porsche,
the image of Jayne Mansfield—her instantaneous final end.

I looked at you in your thoughts.
Your green eyes
tangled blond hair—Dutch perfect beauty.
So smart, so real,
so searing with sexuality--future stories,
your skin to touch like velvet.

As you reached to turn the radio
on to close this question,
I turned back to the skyline.

Everything became clear.

Not the name of the actor,
or the movie,
or the lines in the road as we
moved across the desert.
Not the past,
the future,
or the goodness
we had shared.

It was the inevitable end.

The rhythm of our conversation,
the pauses,
the bite in the air,
the meandering cosmic turns of our banter--
led to one inevitable conclusion.

I wasn’t loving you
any less at that moment,
or feeling critical about the way
you chose to get at this mystery--
I wasn’t feeling the fear of
commitment,
or rev-elating the subtle annoyance
of two human beings
who have worn out each other’s welcome.
I wasn’t contemplating a new love,
or another move to New York City.

It was just the way of the culmination--
the land, the movement, the memories,
the pangs.
The way your hand reached for the radio.
In this vast expanse of the highway—
we were somehow leaving each other,
even then;
All things,
don’t have to have a reason;
sometimes, it’s just the way

stars get in the way of things.


(Raymond is in his eighth year of directing the theatre and film program at Metro Arts Institute in Phoenix, Arizona. Raymond has been working in the theatre and film business for 20 years. His plays are published by Samuel French and Anchorage Press. Raymond designs, acts, directs, teaches and writes, and was most currently awarded the Arizona Commission on the Arts Playwriting Fellowship in 2003. The artistic director of cheap theatrix, a producing company, Raymond has written 30 plays and has produced more than 80 new plays in his career. His play, "Charlie Foster," about swimming and theatre, is scheduled for publication before summer by Anchorage Press. Raymond is also a singer/songwriter, and has written more than 200 songs. He is also the producing director of The Boulder Heritage Festival, a three day music and historic festival in Southern Utah.)

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Monday, February 12, 2007
Poem: Widower

I'm cold
all the time.

Delicate frost feathers
cling to the cracked
window glass.
Outside, the road
is ashen and gritty
with salt.
Tree branches
knock
in the north wind.

My wool mittens
are torn.
I have lost my hat.
Collar up, shoulders hunched,
I avoid patches
of ice
on the craggy sidewalk pavement.

My ears sting
when I arrive at
the coffee shop.
Closed. Windows dark.

Hands buried deep
in my pockets.
I stand rigidly,
tears welling.

My loneliness
is complete.

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Thursday, February 01, 2007
Poem: New Intern

By: James H. Duncan

Ralph the intern didn’t like me
his name was Chuck or David
or something and he didn’t like
me at all, I’m sure of it

Ralph was an agreeable sort
never complained and I felt
good about our easy rapport

then I sent him for coffee

“Ralph, it’s 8:30 - coffee break?”

Ralph was a good sport
about his role as gopher
which was good for me

but

Ralph took 3 hours getting us
coffee and I got the distinct
feeling he didn’t like me

my coffee - cream / sugar
turned out to be black / decaf
I wasn’t sure what to make of it
it was cold and half full
3 hours late

I set Ralph up on a date
with the file office and a dust pan
to my chagrin, my project files
were never seen again

I sent Ralph to the shipping office
boxes and boxes, bricks
fake addresses and ugly deadlines

somehow, my personal account bill
doubled that month
overnights to Topeka, KS

touché

my disregard for his name stepped up
Ralphie-boy was my new bestest pal
Ralphie-boy was my new chum, my amigo

Ralphie-boy hacked into my planner

Ralphie-boy was sent to useless meetings

Ralphie-boy threw away my plants

Ralphie-boy was sent to excel training

Ralphie-boy photocopied my high school pic

Ralphie-boy was moved to the basement office

Ralphie-boy hacked my myspace profile

Ralphie-boy lost his internet privileges

Ralphie-boy took my ex to dinner

Ralphie-boy was framed for stealing pens

Ralphie-boy took my sister to dinner

Ralphie-boy got sugar in his gas tank

Ralphie-boy proposed to my sister

Ralphie-boy got a visit from Tony “The Arm” Mangio

Ralphie-boy asked me to be his best man

Ralphie-boy received a dollar store steak knife set

Ralphie-boy outcooks me every thanksgiving

Ralphie-boy’s pie always seems to be eaten by the dog

Ralphie-boy beats me at golf every week

Ralphie-boy’s kid’s lunch money finds its way to my pocket

and today, as we stood at the 14th hole
I said “you know, David, this is stupid.
whaddaya say we wipe the slate clean?"

Ralphie-boy pondered this

“can I have my pen back?”

“……fine” I said digging into my man purse

“thanks”

“was that all? I feel silly now, David”

“my name is Chuck, asshole”

Chuck divorced my sister that afternoon
I was their lawyer, and he signed
the papers with that very pen

I thought that was a nice touch


(James H Duncan is a dedicated and emphatic hermit who currently lives in the
desert by day and dreams of his New England home by night. Nothing pleases
him more than eating alone in a busy restaurant with a good book, taking
that book out to a movie, and afterward, home to see how far he can go with
it without feeling guilty the next morning. More of his work can be seen at
www.jhdwriting.com.)

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