Released in 1981, October is routinely dismissed by critics and fans as the worst early album by the Irish quartet. Bono has called October a “difficult second album.” It should have been because the subject matter is bold for a pop rock band: god and spirituality. It was the perfect preface for what was the band’s break-out album – the stunning War. But to dismiss October is foolish. The album is a wonderfully complex, atmospheric mediation. Highlights include:
R.E.M. – Fables of the Reconstruction
After three successful albums, R.E.M. made some major changes for its generally overlooked fourth album recorded in 1985. The band switched to a producer known for working with English folk bands and left the
This 1994 album (and the third) for Pearl Jam was a departure from its
Talking Heads – More Songs About Buildings and Food
Could there be a worse name for an album in existence? Perhaps, the poor name is responsible for why this album doesn’t get much attention from critics and fans – other than the fabulous cover of Al Green’s “Take Me to the River.” But despite the lack of commercial success for More Songs, it perfectly captures the eclectic nature of Talking Heads – a mix of reggae, pop, country, and punk rock. Highlights include:
Led Zeppelin – In Through the Out Door
In 1979, Led Zeppelin released its last studio album before the death of drummer John Bonham. In Through the Out Door was disliked by both Bonham
and guitarist Jimmy Page, who thought the album was weak. It also received mixed reviews from critics (although the fans ate it up). It’s generally considered the forgotten album by the band. But that’s a mistake. In Through the Out Door, quite frankly, rocks. It’s a tighter package than the band’s earlier blues infused tunes. Highlights include:
Generally considered the worst studio album by the Doors, Soft Parade actually is very good. The band experimented with added strings to its music with mixed results, but there are several songs on the album that stand out among the best the band ever recorded. Some of the best material on Soft Parade is:
Draw the Line was a commercial success in 1977, but hasn’t lived up beyond the 1970s and even the band has been critical of the LP. It was recorded in an abandoned convent in
drugs during most the sessions. Yet there’s a raw tension going through Draw the Line that’s difficult to ignore – and it features some of the band’s better songs. Highlights include:
When Pornography was released in 1982, it shocked critics and was generally polarizing for fans. To say Pornography is dark isn’t giving credit to darkness. Yet it was th
is album where the band really found its sound for the foot gazing anthems that made it famous in the 1980s. Highlight (or low lights) include:
Labels: Aerosmith, Doors, Led Zeppelin, Music, Music Review, Pearl Jam, R.E.M., Rock, Talking Heads, The Cure, U2
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I grew up with U2. I still can’t shake the bastards. They’ve been stalking me like a bad bill for the last 30 years. And when their music takes me, it makes me howl.
It started innocently enough in high school. Like most teenagers in my suburban town in the 1980s, I wore robin-blue corduroys, plaid-patterned flannel shirts (with the sleeves rolled up to my elbows), and battered tennis sneakers. When I strolled down the locker-lined corridors of my high schools my pants went: “Wiff, wiff, wiff.” I even had my longish blond hair feathered and blown dried.
My music collection (and it was records back then. Big, black plastic discs of sweet heaven) teamed with the pounding musical collisions of Van Halen, AC/DC, Judas Priest, and Iron Maiden. I was in permanent air guitar mode.
Then the weird kid at my high school (and when I look back now – he was probably the coolest dude on Earth wearing Ramones concert t-shirts and drawing Talking Heads logos on his notebooks in 1982) sat next to me in study. We were friendly and he talked up this band called “You, Too.” (or at least that’s how I imagined it was spelled).
He wanted me to listen to “I Will Follow.”
I ignored him, of course. He was the weird kid after all. What could be better than going home and cranking up Eddie Van Halen doing “Eruption?” What a goddamn mistake.
But then – and I’ll never forget this day – I visited one of my friends on a hot summer day. He was upstairs taking a shower and we were already drinking Buds. It was a Saturday afternoon and that’s what we did. On his enormous console TV was a new cable station called MTV.
Through my cool buzz, I noticed the drums first. And then that guitar – that sad, mournful moan of a guitar that seemed to stutter and then burst into melody like it was on the edge of something.
Four horsemen galloped across a snowy forest. The four band mates dismounted as the music built and then this haunted, falsetto voice filled with passion sang out: “All is quiet on New Year’s Day.”
I sat, transfixed.
Here was this band that looked like they stepped out of a Chekov short story standing in dazzling, snow-encrusted field with a fluttering white flag behind them. They were playing an amazing song; an anthem of peace.
I was hooked.
U2.
“New Year’s Day” remains my favorite U2 song. Whenever I hear it (and I play it often), I’m transported back to my friend’s living room and the upholstered chair where I perched. It was a moment in my musical education – seeding me for college when I would discover punk, jazz, and alternative music; that music wasn’t just about heavy metal songs about chicks, booze, and rock n’ roll.
A part of me discovered then that music could mean so much more.
Listen or buy the DaRK PaRTY U2 mix at iTunes
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