U2 - October

Released in 1981, October is routinely dismissed by critics and fans as the worst early album by the Irish quartet. Bono has called October a “difficult second album.” It should have been because the subject matter is bold for a pop rock band: god and spirituality. It was the perfect preface for what was the band’s break-out album – the stunning War. But to dismiss October is foolish. The album is a wonderfully complex, atmospheric mediation. Highlights include:

• The gritty, drum-heavy “I Threw A Brick Through A Window” that sounds like it was recorded in a basement

• The wailing lament of English occupation of Northern Ireland in “Stranger in a Strange Land” (just listen to the emotional anguish of Bono’s voice).

• The piano ballad about the death of Bono’s mother “October” feels like a modern church hymn.

R.E.M. – Fables of the Reconstruction

After three successful albums, R.E.M. made some major changes for its generally overlooked fourth album recorded in 1985. The band switched to a producer known for working with English folk bands and left the United States to record in London. The result is moody, sinister reflections about the myths of Southern culture and folk music. If William Faulkner was a musician – he may have recorded Fables of the Reconstruction. The album contains many of the bands best music including:

• The portentous “Driver 8,” which was supposed to be the albums big rock number – yet it feels dangerous and secretive. The song is about the landscape around train tracks.

• “Feeling Gravity’s Pull” opens the album and announces that this won’t be an album filled with jangling guitars. It’s about falling asleep while reading and it signals the bands mysterious direction on Fables.

• The wonderful song “Kohoutek” (which is a comet), but the song is really about (and trust me it gets dangerous trying to interpret R.E.M.) lost friendship.

Pearl Jam – Vitalogy

This 1994 album (and the third) for Pearl Jam was a departure from its Seattle roots rock anthem sound that drove its first two efforts. Vitalogy is more experimental and can feel a bit adrift for fans that were used to the first albums. But Vitalogy shows the band maturing and taking chances – as well as experimenting with different sounds. While it was a critical and commercial success – Vitalogy isn’t often held up as one of the band’s best – but it is. Take these gems for example:

• “Corduroy” is a strange little number that starts with a cool guitar riff and then just builds. It’s a huge concert favorite and despite never being released as a single reached 13 on the Billboard charts.

• “Not for You” is one of our favorite Pearl Jam songs. It’s just got riff – and is very, very cool.

• “Better Man” is a song lead singer Eddie Vedder wrote in high school. It’s a straight on rock ballad about abusive relationships – done right.

Talking Heads – More Songs About Buildings and Food

Could there be a worse name for an album in existence? Perhaps, the poor name is responsible for why this album doesn’t get much attention from critics and fans – other than the fabulous cover of Al Green’s “Take Me to the River.” But despite the lack of commercial success for More Songs, it perfectly captures the eclectic nature of Talking Heads – a mix of reggae, pop, country, and punk rock. Highlights include:

• “Warning Signs” is a bouncy number that hard not to enjoy. It’s infused with that edgy Talking Heads energy.

• “Found a Job” is a cynical little jab at corporate workers and makes you want to dance like a robot.

• Call us crazy, but “Take Me to the River” is one of the best cover songs of all time.

Led Zeppelin – In Through the Out Door

In 1979, Led Zeppelin released its last studio album before the death of drummer John Bonham. In Through the Out Door was disliked by both Bonham

and guitarist Jimmy Page, who thought the album was weak. It also received mixed reviews from critics (although the fans ate it up). It’s generally considered the forgotten album by the band. But that’s a mistake. In Through the Out Door, quite frankly, rocks. It’s a tighter package than the band’s earlier blues infused tunes. Highlights include:

• The seminal rocker “In the Evening” which begins with an eerie, creepy introduction that was going to be used for a film called “Lucifer Rising.”

• “All of My Love” is a song written by lead singer Robert Plant about the death of his 5-year-old son. One of the only Zeppelin songs that Page wasn’t involved in writing.

• “Fool in the Rain” is the last song by the band to reach the pop charts. It has a soulful, playful sound.

The Doors – Soft Parade

Generally considered the worst studio album by the Doors, Soft Parade actually is very good. The band experimented with added strings to its music with mixed results, but there are several songs on the album that stand out among the best the band ever recorded. Some of the best material on Soft Parade is:

• “Touch Me” is a rollicking good pop song that has become one of the band’s most popular hits.

• “Wild Child” is a hard hitting rock number with a heavy bass line and some fine organ work.

• “Shaman’s Blues” is one of the forgotten Doors’ anthems, but it holds up quite well.

Aerosmith – Draw the Line

Draw the Line was a commercial success in 1977, but hasn’t lived up beyond the 1970s and even the band has been critical of the LP. It was recorded in an abandoned convent in New York – and the band was heavily into

drugs during most the sessions. Yet there’s a raw tension going through Draw the Line that’s difficult to ignore – and it features some of the band’s better songs. Highlights include:

• “Draw the Line” is an explosive guitar rocker that features driving guitars and some vocal free play by lead singer Steve Tyler. Lots of great screaming.

• Long and mournful “Kings and Queens” is an underrated gem by the band.

• The jamming “Milk Cow Blues” which the band rolled out for an unplugged performance on MTV. Awesome harmonica.

The Cure – Pornography

When Pornography was released in 1982, it shocked critics and was generally polarizing for fans. To say Pornography is dark isn’t giving credit to darkness. Yet it was th

is album where the band really found its sound for the foot gazing anthems that made it famous in the 1980s. Highlight (or low lights) include:

• “The Hanging Garden” features lyrics about waiting for animals to die. It’s brilliant stuff.

• The very depressing “Pornography” opens with a police siren and somebody definitely cried during the making of this song.

• “The Hanging Garden” is a Cure staple (also known as “A Single”) and it rocks in a depressing kind of way.

Musical Memory: U2

12 Great but Lesser Known Songs by R.E.M.

Labels: Aerosmith, Doors, Led Zeppelin, Music, Music Review, Pearl Jam, R.E.M., Rock, Talking Heads, The Cure, U2

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The sun blossomed like an orange flower in the desert dawn. A sedan, coated in a layer of thick dust, motored down a strip of highway in Arizona. The sedan was forced to brake as it came up fast on an accident. Two vehicles had collided, leaving behind twisted metal, the smell of burnt rubber and gasoline, and the bodies.

A family of Native Americans lay dead or dying on the highway. Blood soaked the tar. Victims screamed. The sedan navigated through the wreckage and a young boy – four years of age – gawked at the horror before him. His mother tried to shield his eyes, but he pulled away.

The boy was Jim Morrison. The bloody scene in the scorching heat of the Arizona desert forever changed him. So much so that the lines:

“Indians scattered on dawn's highway bleeding
Ghosts crowd the young child's fragile eggshell mind.”

appear in three Doors songs and in Morrison’s poetry. Morrison believed the fatal wreck was the most formative moment in his life. His first real memory -- etched forever in his psyche.

Jim Morrison died in 1971 – at the age of 27. In that time, he was the lead singer and lyrist for six Doors albums, two volumes of poetry, and several experimental films and music videos. He also had affairs with Grace Slick of Jefferson Airplane, Nico of the Velvet Underground, rock singer Janis Joplin, and science fiction novelist Patricia Kennealy.

Morrison died in Paris – allegedly from a heroin overdose.

Since their inception in 1965, the Doors have sold more than 76 million albums. Despite the band breaking up way back in 1970, the Doors continue to sell about one million albums a year.

The reason is the music. The Doors have the rare quality of transcending their era (in much the same way as Led Zeppelin and the Rolling Stones). Each new generation seems to discover the Doors and make the band their own.

DaRK PaRTY has been huge a fan of the Doors since a hot summer afternoon in 1983 when we first heard Morrison’s whispered musings on “Soft Parade.” It was a moment that is forever etched in our musical memory. In honor of the 40^th anniversary of Morrison and the Doors first, self-titled album, here are our picks for the band’s 10 best songs.

Peace Frog

A rollicking, guitar scorched pop song from “Morrison Hotel.” “Peace Frog” sounds like it could have been written in the alternative 1980s and lives in the same place as some of the more hard rocking numbers by R.E.M. (“Driver 8” for example). “Peace Frog” doesn’t sound like the Doors because it lacks the mystical feel of many of their best stuff, but the song captures the band’s ability to let loose and swing (see a cool remix of the song in the video above).

Love Her Madly

One of the Doors’ biggest hits, “Love Her Madly” hit number 11 on the Billboard charts. The song is featured on the “L.A. Woman” album, the last “official” LP before Morrison’s death. People often think the song is about Morrison’s troubled love affair with Pamela Courson, but it is actually about guitarist Robby Krieger and his girlfriend.

Back Door Man

This is probably the best known cover of a Willie Dixon song (originally performed by Howlin’ Wolf). The Doors rock it up while slowing down the tempo and giving it a dirty feel that would have made Willie blush. In Willie’s day and age a back door man was a man having an affair with a married soldier’s wife while the soldier was at war. The Doors gave it an… ahem… different spin.

The End

“The End” is an experimental poem set to a dreamy, haunted soundtrack. No one is quite sure what the song is about and there are many interpretations including that it’s about a drug trip gone bad and an anti-Vietnam protest song. “The End” took shape through months of performances at Whisky a Go Go, a Los Angeles rock club, and became controversial when Morrison shouted the Oedipus-like lyric: “Father/ Yes son?/ I want to kill you/ Mother, I want to fuck you.”

Roadhouse Blues

“Roadhouse Blues” was recorded for “Morrison Hotel” and Morrison was drunk for most of the recording sessions. Regardless, the song is a funked up rocker and one of the band’s most popular (covered by the likes of Blue Oyster Cult, Status Quo, Ministry and Stone Temple Pilots). In the song, Morrison shouts “Do it, Lonnie, do it!” He is referring to Lonnie Mack, who joined the band to play bass (under the pseudonym G. Puglese).

When the Music’s Over

Another musical opus in the same vein as “The End.” This song appears on the band’s second album “Strange Days.” It may be one of the strangest songs the band ever recorded. It starts out with a jamming piano and bass line and then a long guitar solo. But then the song slows down into a quiet, mystical poem. It contains some of Morrison’s best lines: “Cancel my subscription to the Resurrection,” “`Alive,’ she cried,” “I want to hear the scream of the butterfly” and “We want the world and we want it now!”

Soul Kitchen

An underrated and under-appreciated song from the band’s first album. It’s probably about a barfly that just doesn’t want to go home. “Soul Kitchen” has that Doors jive to it. It also contains the gem of a line: “Speak in secret alphabets.”

Light My Fire

The Doors biggest hit, “Light My Fire” hit number one on the Billboard chart in 1967. It is the consummate psychedelic rocker. “Rolling Stone” magazine lists the song at #35 in its 500 Greatest Songs of All Time list. The band performed “Light My Fire” on the Ed Sullivan Show and didn’t change an offensive lyric so angering Sullivan that he refused to shake Morrison’s hand after the performance.

Twentieth Century Fox

Another sweet little number off the Doors first album. The title is a reference to a foxy lady. Nobody sings about women as “dirty” as Mr. Mojo Risin’.

L.A. Woman

This is an up tempo rocker that Morrison sang in the studio bathroom, in order to create a fuller sound to the song. It is the song where Morrison introduces his alter ego “Mr. Mojo Risin’” – an anagram for Jim Morrison. The song is like a car ride across Los Angeles – where the narrator sees strip clubs and cops and other sights.

Labels: Doors, Jim Morrison, Music

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